Bach Bibliography
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1. Schonsleder, Wolfgang:   Architectonice musices universalis, ex qua melopoeam per universa et solida fundamenta musicorum, proprio marte condiscere possis. Autore Volupio Decoro Musagete. Ingolstadii, typis Wilhelmi Ederi, 1631. [4], 235p. - Ingolstadii: M. Zeller, 1684.
2. Ebner, Wolfgang:   Eine kurtze Instruction und Anleitung zum General-Bass, ins Herbst, Arte Prattica & poetica. Frankfurt, 1653.
3. Holder, William:   A treatise of the natural grounds, and principles of harmony. By William Holder, D.D. fellow of the Royal Society, and late sub-dean of their Majesties Chappel-Royal - London: printed by J. Heptinstall, for John Carr, at the Middle-Temple-Gate, in Fleet-street, 1694. [10], 204p; rev. edn. 'To which is added, by way of appendix: rules for playing a thorow-bass; ... By the late Mr. Godfrey Keller. ... The whole being revis'd, and corrected from many gross mistakes committed in the first publication of these rules' - London: printed by W. Pearson; for J. Wilcox; and T. Osborne, 1731. [6],156,159-174,179-44[i.e.206]p
4. Jones, William:   A treatise on the art of music, In which the elements of harmony and air are practically considered, and illustrated by an hundred and fifty examples in notes, many of them taken from the best authors. The whole being intended as a Course of Lectures, preparatory to the practice of Thorough-Bass and Musical Composition. - Colchester: W. Keymer for the author, 1784. [2],iii,[3],xii, 61p text, 40p mus exx. - 2nd ed. London: Longman & Co.; Sudbury &c. 1827.
5. Nieuwenhuijsen, W. J. F.:   Orgelconcert te geven door den heer J. A. van Eyken in de Domkerk te Utrecht op dinsdag 17 november 1846. NedMTijdschr 8/12 (1 Dec 1846), 98-99. Binnenlandsche berigten. [Werken van Bach, Händel, Mendelssohn e.a.]
6. Bartholomew, William (arr.):   JOHANN SEBASTIAN BACH'S Six Motetts, IN SCORE, with an adaptation for the Piano forte or Organ, FOR USE AT REHEARSALS. The English Version written and adapted by W. BARTHOLOMEW. '1. Sing ye to the Lord / Psalm, 149 & 150' [BWV 225]; '2. Be not afraid / Isaiah, 41& 42.' [BWV 228]; '3. I wrestle and pray / Genesis, 32' [BWV Anh. 159]; '4. Come Jesu come' [BWV 229]; '5. Jesu King of glory / Romans, 8' [BWV 227]; '6. The Spirit also helpeth us. / Romans, 8' [BWV 226]; 'Subscribers Copy.' [Cover title: 'JOH. SEB. BACH's SIX MOTETTS.'] - London: Ewer & Co., [1850]. [ii]p (plate, lithographed portrait of Bach by S. Rosenthal), [iii] (Title-page), [v] ('List of Subscribers'), 1-143, [1-4]p (words), [5]p ('AN EXTRACT from J. J. EWER & Co.'s GENERAL CATALOGUE of Music for the Organ.'). Pl.-Descr.: Bach's Motetts. [BWV 225, 226, 227, 228, 229, Anh. 159] - repr. London: J. Alfred Novello [c.1860]
7. Meister, Carl Severin; Bäumker, Wilhelm (eds.):   Das katholische deutsche Kirchenlied in seinen Singweisen, von den frühesten Zeiten bis gegen Ende des siebzehnten Jahrhunderts. Begonnen von Karl Severin Meister. Auf Grund älterer Hanschriften und gedruckter Quellen bearbeitet von Wilhelm Bäumker, nach dem Tode des Verfassers hrsg. von Joseph Gotzen. Freiburg: Herder, 1862-1911. xiv, 768; viii, 411; x, 360; xvi, 833p. - Repr. (in 4 Bände) Hildesheim: Georg Olms, 1962. 768p, 412p, 360p, 834p.
8. Oppel, W.:   Johann Nepomuk Schelble, der Gründer des Cäcilien-Vereins in Frankfurt a. M. IV. Der Cäcilien-Verein zu Frankfurt a. M. seit dem Tode Schelble's und die Jubelfeier dieses Vereines. AllgMlZ(3) 3/48 (25 Nov 1868), 377-380. [Uebernahme der Leitung des Vereins durch Carl Voigt, Felix Mendelssohn, Ferdinand Hiller, Ferdinand Ries und Franz Joseph Messer. Thätigkeit des Vereins unter Messer. Entstehung des Rühl'schen Gesangvereins. Uebernahme der Leitung des Cäcilien-Vereins durch Franz Friederich, Carl Müller (1860). Thätigkeit des Vereins unter Müller's Leitung. Akademische Feier aus Anlass des 50jährigen Bestehens. Festkonzert: Bach, Messe in H-moll (in der Instrumentirung des Hrn. Direktor Müller); Herr Schulze, Frau Emilie Bellingrath-Wagner (Sopranistin), Herr Otto, Frau Joachim, Herr Joachim. Festbanquet (letzter Artikel in der nächsten Nummer)]
9. Macfarren, Walter (ed.):   Bourrée: from the second suite anglaise / John Sebastian Bach. Edited and fingered by Walter Macfarren. - London: Edwin Ashdown, [c.1870] 7p. Pl.-Nr.: A & P.No.8257. (= Popular classics for the pianoforte, No.7) [BWV 807/1-2]
10. Oppel, W.:   Seltsame Stellen in den Werken grosser Meister. (Fortsetzung.) (S. Nr. 40.) III. [Weber, Jubel-Ouvertüre]. IV. [J. S. Bach, erster von drei Chorälen zu Trauungen im dreizehnten Jahrgang der von der Bachgesellschaft veranstalteten Gesammtausgabe: 'Was Gott thut, das ist wohlgethan' (wird fortgesetzt)] AllgMlZ(3) 10/42 (20 Oct 1875), 657-659. [Sektion IV - Beitr: BG 13, Trauungschoral BWV 250]
11. Oppel, W.:   Seltsame Stellen in den Werken grosser Meister. (Fortsetzung.) (S. Nr. 42.) V. [J. S. Bach, "Matthäus-Passion"]. VI. [Zur Ausführung der Fermate] AllgMlZ(3) 10/44 (3 Nov 1875), 694-697. [On the intensity of modulation in the final chorus of St Matthew Passion]
12. Fitzenhagen, Wilhelm (arr.):   Sarabande / J. S. Bach. für Violoncello-Solo mit Orchester, arr. v. Wilh. Fitzenhagen. Part. 8. Mk 1. St. Mk 2. - Berlin: Luckhardt, [1877]. [BWV 1012/4?]
13. Böttcher, W.:   Posen, den 31. März 1877. AllgDMz 4/15-16 (13 Apr 1877), 123. Correspondenzen. [Besprechung der Aufführung von Bachs Matthäus-Passion]
14. Fitzenhagen, Wilhelm (arr.):   [Andante (D) / Bach] Berlin: Luckhardt, [1877] à Mk 1. (= Sechs klassische Stücke von J.S. Bach und Locatelli arr. für Vcello mit Pianoforte. (oder Orgel oder Harmonium.), Nr. 1)
15. Fitzenhagen, Wilhelm (arr.):   [Andante (Gm.) / Bach] Berlin: Luckhardt, [1877] à Mk 1. (= Sechs klassische Stücke von J.S. Bach und Locatelli arr. für Vcello mit Pianoforte. (oder Orgel oder Harmonium.), Nr. 2)
16. Fitzenhagen, Wilhelm (arr.):   [Adagio ma non troppo (Dm.) / Bach] Berlin: Luckhardt, [1877] à Mk 1. (= Sechs klassische Stücke von J.S. Bach und Locatelli arr. für Vcello mit Pianoforte. (oder Orgel oder Harmonium.), Nr. 3)
17. Fitzenhagen, Wilhelm (arr.):   [Adagio (Hm.) / Bach] Berlin: Luckhardt, [1877] à Mk 1. (= Sechs klassische Stücke von J.S. Bach und Locatelli arr. für Vcello mit Pianoforte. (oder Orgel oder Harmonium.), Nr. 4)
18. Fitzenhagen, Wilhelm (arr.):   [Largo (Dm.) / Bach] Berlin: Luckhardt, [1877] à Mk 1. (= Sechs klassische Stücke von J.S. Bach und Locatelli arr. für Vcello mit Pianoforte. (oder Orgel oder Harmonium.), Nr. 5)
19. Fitzenhagen, Wilhelm (arr.):   Sarabande / Joh. Seb. Bach. für Violoncello mit Pianoforte oder Orgel oder Harmonium arr. v. Wilh. Fitzenhagen. - Berlin: Luckhardt, [1879]. Mk 1. [BWV 1012/4?]
20. Fitzenhagen, Wilhelm; Rundnagel, C. (arr.):   Sarabande / Joh. Seb. Bach. Für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium arrangirt von Wilh. Fitzenhagen und C. Rundnagel. - Berlin: Raabe & Plothow, [1879]. 5p + 1 St. Pl.-Nr.: C. L. 1038; Pl.-Nr.: C. L. 1039. (= Album classischer Stücke für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium, 7)
21. Fitzenhagen, Wilhelm; Rundnagel, C. (arr.):   Andante [D-dur] / Joh. Seb. Bach. Für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium arrangirt von Wilh. Fitzenhagen und C. Rundnagel. - Berlin: Raabe & Plothow, [1879] (= Album classischer Stücke für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium, 8)
22. Fitzenhagen, Wilhelm; Rundnagel, C. (arr.):   Andante [G-moll] / Joh. Seb. Bach. Für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium arrangirt von Wilh. Fitzenhagen und C. Rundnagel. - Berlin: Raabe & Plothow, [1879] (= Album classischer Stücke für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium, 9)
23. Fitzenhagen, Wilhelm; Rundnagel, C. (arr.):   Adagio manon troppo [D-moll] / Joh. Seb. Bach. Für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium arrangirt von Wilh. Fitzenhagen und C. Rundnagel. - Berlin: Raabe & Plothow, [1879] (= Album classischer Stücke für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium, 10)
24. Fitzenhagen, Wilhelm; Rundnagel, C. (arr.):   Adagio [H-moll] / Joh. Seb. Bach. Für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium arrangirt von Wilh. Fitzenhagen und C. Rundnagel. - Berlin: Raabe & Plothow, [1879] (= Album classischer Stücke für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium, 11)
25. Fitzenhagen, Wilhelm; Rundnagel, C. (arr.):   Largo / Joh. Seb. Bach. Für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium arrangirt von Wilh. Fitzenhagen und C. Rundnagel. - Berlin: Raabe & Plothow, [1879] (= Album classischer Stücke für die Violine mit Begleitung des Pianoforte oder Orgel oder Harmonium, 12)
26. Macfarren, Walter (ed.):   SARABANDE IN E (Suites Françaises.) / JOHANN SEBASTIAN BACH. Selected, Edited & fingered by WALTER MACFARREN. Ent. Sta. Hall. Price 3s/=. - London: Edwin Ashdown, Hanover Square, [c.1880]. 2-4p. Pl.-Nr.: BACH, Sarabande in E. No. 129. (E A. N°. 21,279). (= Eleventh Series. POPULAR CLASSICS for the Pianoforte ; Selected and fingered by WALTER MACFARREN, No. 129) [BWV 817/3]
27. Macfarren, Walter (ed.):   PRELUDE AND FUGUE IN A MINOR. / JOHANN SEBASTIAN BACH. Selected, Edited & fingered by WALTER MACFARREN. Ent. Sta. Hall. Price 5s/=. - London: Edwin Ashdown, Hanover Square, [c.1880]. 2-21p. Pl.-Nr.: BACH, Prelude & Fugue in A minor. No. 133. (E A. N°. 22,463). (= Twelfth Series. POPULAR CLASSICS for the Pianoforte ; Selected and fingered by WALTER MACFARREN, No. 133) [BWV 894]
28. Macfarren, Walter (ed.):   PRELUDE IN B FLAT. (First Partita.) / JOHN SEBASTIAN BACH. Selected, Edited & fingered by WALTER MACFARREN. Ent. Sta. Hall. Price 2s/. - London: Edwin Ashdown, Hanover Square, [c.1880]. 2-3p. Pl.-Nr.: BACH, Prelude in B flat. No. 78. (E A. N°. 15,778). (= Seventh Series. POPULAR CLASSICS for the Pianoforte ; Selected and fingered by WALTER MACFARREN, No. 78) [BWV 825/1]
29. Macfarren, Walter (ed.):   ALLEMANDE IN B FLAT. (First Partita.) / JOHN SEBASTIAN BACH. Selected, Edited & fingered by WALTER MACFARREN. Ent. Sta. Hall. Price 3/. - London: Edwin Ashdown, Hanover Square, [c.1880]. 2-7p. Pl.-Nr.: BACH, Præambulum. No. 87. (E A. N°. 16,977). (= Seventh Series. POPULAR CLASSICS for the Pianoforte ; Selected and fingered by WALTER MACFARREN, No. 83) [BWV 825/2]
30. Macfarren, Walter (ed.):   PRÆAMBULUM. from the fifth 'Partita.' / JOHANN SEBASTIAN BACH. Selected, Edited & fingered by WALTER MACFARREN. Ent. Sta. Hall. Price 3s/= - London: Edwin Ashdown, [n.d.] 2-7p. Pl.-Nr.: BACH, Præambulum. No. 87. (E A. N°. 16,977). (= Eighth Series. POPULAR CLASSICS for the Pianoforte ; Selected and fingered by WALTER MACFARREN, No. 87) [BWV 829/1]
31. Macfarren, Walter (ed.):   GAVOTTE AND MUSETTE IN G MINOR (Suites Anglaises No. 3.) / JOHANN SEBASTIAN BACH. Selected, Edited & fingered by WALTER MACFARREN. Ent. Sta. Hall. Price 3s/=. - London [etc]: Edwin Ashdown, Hanover Square, [c.1880]. 2-9p. Pl.-Nr.: BACH, Gavotte & Musette in G minor. No. 92. (E A. N°. 16,982). (= Eighth Series. POPULAR CLASSICS for the Pianoforte ; Selected and fingered by WALTER MACFARREN, No. 92) [BWV 808/5-6]
32. Macfarren, Walter (ed.):   MENUETTO IN G (5th Partita.) / JOHANN SEBASTIAN BACH. Selected, Edited & fingered by WALTER MACFARREN. Ent. Sta. Hall. Price 3/=. - London [etc]: Edwin Ashdown, Hanover Square, [c.1880]. 2-5p. Pl.-Nr.: BACH, Menuetto in G. No. 100. (E A. N°. 20,265). (= Ninth Series. POPULAR CLASSICS for the Pianoforte ; Selected and fingered by WALTER MACFARREN, No. 100) [BWV 829/5]
33. [Görges, W.]:   Verzeichnis der in der Stadtbibliothek und in der Bibliothek des Johanneums zu Lüneburg enthaltenen älteren Lehr- und Schulbücher, hauptsächlich aus dem 16. und 17. Jahrhundert. ProgJohanneumsLüneburg 266 (1880), 3-28.
34. [Görges, W.]:   Zur Geschichte der Stadtbibliothek [Lüneburg]. ProgJohanneumsLüneburg 266 (1880), 29-38.
35. Müller, Wilibald:   Gerhard van Swieten: biographischer Beitrag zur Geschichte der Aufklärung in Österreich. Wien: Braumüller, 1883. 175p.
36. Freystätter, Wilhelm:   Die musikalischen Zeitschriften seit ihrer Entstehung bis zur Gegenwart: chronologisches Verzeichniss der periodischen Schriften über Musik. von Wilhelm Freystätter. - München, 1884. v, 139p; Unchanged repr. of the orig. ed.: Amsterdam: Knuf, 1971. 139p. ISBN: 90-6027-139-4
37. Weckbecker, Wilhelm:   Variationen über ein Thema von Joh. Seb. Bach für das Pianoforte ; op. 5. componirt von Wilhelm Weckbecker. - Leipzig and Brüssel: Breitkopf & Härtel, [1887]. 19p. Pl.-Nr. 17705. [BWV 809/4]
38. Fitzenhagen, Wilhelm (arr.):   Sarabande für vier Violinen ; op. 64. / von J. S. Bach. Übertragen von Wilhelm Fitzenhagen. - Berlin: Luckhardt [u.a.]: [1889]: 3 St. Pl.-Nr.: F.L.336. [BWV 1012/4]
39. Macfarren, Walter (ed.):   ALLEMANDE IN E (Suites Françaises.) / JOHANN SEBASTIAN BACH. Selected, Edited & fingered by WALTER MACFARREN. Price 3s/=. - London: Edwin Ashdown, [n.d.] 1-5p. Pl.-Nr.: BACH, Allemande in E. No. 123. (E A. N°. 21,273). (= Eleventh Series. POPULAR CLASSICS for the Pianoforte, Selected and fingered by WALTER MACFARREN, No. 123) [BWV 817/1]
40. Weißheimer, Wendelin (arr.):   Eine obligate Violinstimme zu sämmtlichen Praeludien in Joh. Seb. Bach's Wohltemperirtem Klavier. Heft 1: Die 24 Praeludien des ersten Theils. [arr.] von W. Weissheimer. - Freiburg im Breisgau: Selbstverlag, [1891] 20p. [BWV 846-869]
41. Bargiel, Woldemar (ed.):   Joh. Seb. Bach's vierstimmige Kirchengesänge. herausgegeben von Woldemar Bargiel. Heft I-VIII. Berlin: Ed. Bote & G. Bock. 1891-1893. 286p. Pl.-Nr.: 13591-13598. Teil: 1: Nr. 1 - 27; 2: Nr. 28 - 58; 3: Nr. 59 - 68; 4: Nr. 69 - 84; 5: Nr. 85 - 99; 6: Nr. 100 - 154; 7: Nr. 155 - 206; 8: Nr. 207 - 275: 69 Choralmelodien mit beziffertem Baß.
42. Fitzenhagen, Wilhelm (arr.):   Sarabande / J. S. Bach. Moskau: Jurgenson, [1892]. (= 5 Transcriptions p. Vcelle av. Piano / W. Fitzenhagen, No. 1) [BWV 1012/4?]
43. Weißheimer, Wendelin (arr.):   Eine obligate Violinstimme zu sämmtlichen Praeludien in Joh. Seb. Bach's Wohltemperirtem Klavier. Heft 2[: Die 24 Praeludien des zweiten Theils.] Freiburg i/Br.: Selbstverlag. 1892. [BWV 870-893]
44. Erk, Ludwig; Erk, Friedrich; Greef, Wilhelm (eds.):   Chorbuch des 'Sängerhain'. Hrsg. von Ludwig Erk, Friedrich Erk u. Wilhelm Greef. - Essen: Baedeker, 1899. 345p. (= Sängerhain, ausgabe B, Bd.2. ... 235 vierstimm. Gesänge f. gem. Chor ... Für d. oberen Klassen) [BWV 484, 511]
45. Nagel, Wilibald:   Zur Geschichte der Musik am Hofe von Darmstadt. MhMges 32/ 1,2,3,4,5 (1900), 1-16; 21-36; 41-57; 59-74; 79-89. p.54f.: Geldzuwendungen für Gastmusiker (BDok2/93)
46. Nagel, Wilibald [Willibald]:   W. F. Bach's Berufung nach Darmstadt. SambdIMg 1/2 (Feb 1900), 290-294.
47. Meyer, Waldemar; Schwalm, Robert (arr.):   Adagio aus dem Violinkonzert (E dur) für Violine mit Pianoforte / Joh. Seb. Bach. Neue Ausg. bearb. v. Waldemar Meyer u. Robert Schwalm. - Leipzig: Steingräber [1901] [BWV 1042/2]
48. Nagel, Willibald:   Johann Sebastian Bach und die deutsche Musik der Gegenwart. DieMusik 1/ 1, 2, 3 (1 Oct, 2 Oct, 1 Nov 1901), 5-12; 107-112; 204-208.
49. Fischer, William:   Briefe Johann Seb. Bach's an den Rat zu Plauen. NZsfM 68/40 (2 Oct 1901), 484-485. [neu veröffentlicht aus dem Plauenschen Ratsarchiv]
50. Meyer, Waldemar; Schwalm, Robert (arr.):   Konzert in D moll für zwei Violinen und Orchester / Joh. Seb. Bach. Neue Ausgabe für 2 Violinen und Pianoforte bearbeitet von Waldemar Meyer und Robert Schwalm. - Leipzig: Steingräber [1902]. 21p score and 2 parts. Pl.-Nr.: 1092. (= Edition Steingräber, 1210) [BWV 1043]
51. Rachel, Walther:   Verwaltungsorganisation und Ämterwesen der Stadt Leipzig bis 1627. [Zugl. Diss Univ. Leipzig] Leipzig: Teubner, 1902. xiii, 225p. (= Leipziger Studien aus dem Gebiet der Geschichte, 8,4) [contents]
52. Fitzenhagen, Wilhelm (arr.):   Andante von J. S. Bach. Arr. von W. Fitzenhagen [Klavierpartitur, Stimme] - Berlin: Raabe & Plothow [c.1902]. 3p + 1 St. Pl.-Nr. 876. (= Sammlung classischer Stücke für Violoncello mit Begleitung des Pianoforte oder Orgel oder Harmonium, 8) [BWV 1014/3]
53. Fitzenhagen, Wilhelm (arr.):   Adagio ma non troppo von Joh. Seb. Bach. Arr. von Wilh. Fitzenhagen [Partitur, Stimme] - Berlin: Raabe & Plothow, [c.1902]. 3p + St. (1 Bl.) Pl.-Nr.: 878. (= Sammlung classischer Stücke für Violoncello mit Begleitung des Pianoforte oder Orgel oder Harmonium, 10) [BWV 1016/3]
54. Fitzenhagen, Wilhelm (arr.):   Adagio von Joh. Seb. Bach. Arr. von Wilh. Fitzenhagen [Partitur, Stimme] - Berlin: Raabe & Plothow, [c.1902]. 3p + St. (1 Bl.) Pl.-Nr.: 879. (= Sammlung classischer Stücke für Violoncello mit Begleitung des Pianoforte oder Orgel oder Harmonium, 11)
55. Burmester, Willy (arr.):   La complaisante / C. Ph. E. Bach bear. [f. V. m. Pfte.] v. Willy Burmester. - Berlin: Schlesinger, c1904. 3p + St. Pl.-Nr.: S. 9278 (1). (= Stücke alter Meister, no. 1) - repr. [f. V. od. Mand.; f. 2 V.; f. 2 V. u. Vcello.; f. V., Vcello u. Pfte.; f. 2 V., Vcello u. Pfte.] Berlin: Schlesinger [1923]
56. Nagel, Willibald:   Die neue Bachgesellschaft und ihre Aufgabe. BlHausKm 9/2 (1 Nov 1904), 17-19.
57. Nagel, W.:   Das zweite deutsche Bachfest in Leipzig. (1. bis 3. Oktober 1904.) BlHausKm 9/2 (1 Nov 1904), 37-39. Monatliche Rundschau.
58. Weber, Wilhelm:   Die Thematik der Chöre in Bachs h moll-Messe. Ein Beitrag zur Bach-Pflege. NMz(Stuttgart) 25/12, 13 (24 Mar, 7 Apr 1904), 251-253; 274-277.
59. Weber, Wilhelm:   Wie studiert man Johann Seb. Bachs 'Wohltemperirten Klavier'? [I - III] NMz(Stuttgart) 26/ 1, 3, 5 (20 Oct, 15 Nov, 13 Dec 1904), 5-7; 49-50, 96-98.
60. Fischer, Albert; Tümpel, W.:   Das deutsche evangelische Kirchenlied des siebzehn Jahrhunderts. von Albert Fischer. Nach dessen Tod vollendet und hrsg. von W. Tümpel - 6 Bände. Gütersloh: Bertelsmann, 1904-1916. - Bd.1: 1904. vii, 517p; Bd.2: 1905, vii, 528p; Bd.3: 1906. iv, 507p; Bd.4: 1908. vi, 556p; Bd.5: 1911, iv, 588p; Bd.6: 1916. viii, 278p.
61. Fischer, Walter (arr.):   Air aus dem Orgelpastorale (3. Satz) / Johann Sebastian Bach. f. Normal-Harmonium bearb. v. Walter Fischer. - Berlin: Koeppen (Leipzig: Breitkopf & Härtel) [1905] [BWV 590/3]
62. Weber, Wilhelm:   Wie studiert man Johann Seb. Bachs 'Wohltemperirten Klavier'? [IV] NMz(Stuttgart) 26/ 8 (1 Feb 1905), 166-168.
63. Burmester, Willy (arr.):   Gavotte [E] / J. S. Bach. f. V. m. Pfte bearb. v. Willy Burmester. - Berlin: Schlesinger [1906] 6, 3p. Pl.-Nr.: 9278. - repr. [f. V. od. Mand.; f. 2 V.; f. 2 V. u. Vcello.; f. V., Vcello u. Pfte.; f. 2 V., Vcello u. Pfte.] Berlin: Schlesinger [1923]
64. Burmester, Willy (arr.):   AIR [auf der G-Saite in C] / J. S. Bach bearb. [für Violin u. Pianoforte] v. Willy Burmester. - Berlin: Schlesinger, c1906. 2-3p + 1 St (1p). Pl.-Nr.: S. 9278. (10) (= Stücke alter Meister, No.10) - repr. [f. V. od. Mand.; f. 2 V.; f. 2 V. u. Vcello; f. V., Vcello u. Pfte.; f. 2 V., Vcello u. Pfte.] Berlin: Schlesinger [1923] [BWV 1068/2]
65. Burmester, Willy (arr.):   Menuett [in A] / C. Ph. E. Bach bearb. [für Violin u. Pianoforte] v. Willy Burmeister. - Berlin: Schlesinger, c1906. 3p + St. Pl.-Nr.: S. 9278(18). (= Stücke alter Meister, 18) - another edn. London: F. Harris (Schlesinger), c1906. 3p + St. Pl.-Nr.: F.H. 701. (= Stücke alter Meister/Selected pieces of old masters, 18) - repr. [f. V. od. Mand.; f. 2 V.; f. 2 V. u. Vcello.; f. V., Vcello u. Pfte.; f. 2 V., Vcello u. Pfte.] Berlin: Schlesinger [1923] [Wq 112, No.16 - H 169]
66. Burmester, Willy; Leeuwen, Ary van (arr.):   La complaisante / C. Ph. E. Bach bearb. v. Willy Burmeister. Ausg. f. Fl. m. Pfte übertr. v. Ary van Leeuwen. - Berlin: Schlesinger, [1907]
67. Burmester, Willy; Leeuwen, Ary van (arr.):   Gavotte [E] / J. S. Bach bearb. v. Willy Burmeister. Ausg. f. Fl. m. Pfte übertr. v. Ary van Leeuwen. - Berlin: Schlesinger, [1907]
68. Burmester, Willy; Leeuwen, Ary van (arr.):   Air (auf der G-Saite) / J. S. Bach bearb. v. Willy Burmeister. Ausg. f. Fl. m. Pfte übertr. v. Ary van Leewen. - Berlin: Schlesinger, [1907]
69. Burmester, Willy; Leeuwen, Ary van (arr.):   Menuett [in A] / C. Ph. E. Bach bearb. v. Willy Burmeister. Ausg. f. Fl. m. Pfte übertr. v. Ary van Leeuwen. - Berlin: Schlesinger, c1907. [Wq 112, No.16]
70. Burmester, Willy; Lier, Jacques van (arr.):   La complaisante / C. Ph. E. Bach bearb. v. Willy Burmeister. Ausg. f. Vcello m. Pfte übertr. v. Jacques van Lier. - Berlin: Schlesinger, [1907] 3p + St. Pl.-Nr.: 9278 (1).
71. Burmester, Willy; Lier, Jacques van (arr.):   Gavotte [E] / J. S. Bach bearb. v. Willy Burmeister. Ausg. f. Vcello m. Pfte übertr. v. Jacques van Lier. - Berlin: Schlesinger, [1907]
72. Burmester, Willy; Lier, Jacques van (arr.):   Air (auf der G-Saite) / J. S. Bach. Bearb. von Willy Burmester = arr. cello & piano by J. van Lier. [Score & Pt.] - London: F. Harris ; Berlin: Schlesinger, [1907]. 3p + St. Pl.-Nr. S. 9278(10), 9741 (= Stücke alter Meister, No.10) [BWV 1068/2]
73. Burmester, Willy; Lier, Jacques van (arr.):   Menuett [in A] / C. Ph. E. Bach bearb. v. Willy Burmeister. Ausg. f. Vcello m. Pfte übertr. v. Jacques van Lier. - Berlin: Schlesinger, c1907. [Wq 112, No.16]
74. Stelljes, W.:   J. S. Bachs Geburtshaus in Eisenach. IllustrierteZ 128/3336 (1907)
75. Weber, Wilhelm:   J. S. Bach, der Musiker der Zukunft. UberLandMeer 50/38 (1907-08)
76. Burmester, Willy (arr.):   Gavotte [D] / J. S. Bach für Violin mit Pianoforte bearb. v. Willy Burmeister. - Mainz: Schott [1910]
77. Maler, Wilhelm:   Geschichte des Bach-Vereins Heidelberg. 1885-1910. Heidelberg, 1910. 122p.
78. Henley, William (ed.):   41 preludes and studies / Johann Sebastian Bach. For solo violin. Edited and arranged by William Henley. - London: Edwin Ashdown, [1910]. 51p. Pl.-Nr.: E.A.33254. (= International Edition, Vol. 14)
79. Werker, Wilhelm:   Die Instrumentation der Matthäuspassion von Johann Sebastian Bach. Kritische Plauderei über den Stand der evangelischen Kirchenmusik von 1932. DieMusik 9/12 (2 Mar 1910), 352-373.
80. Werker, Wilhelm:   Die Instrumentation der Matthäuspassion von Johann Sebastian Bach. MsGottesdKKunst 15/ 2 (Feb 1910), 47-61. (Kritische Plauderei über den Stand der evangelischen Kirchenmusik von 1932.)
81. Sieben, Wilhelm (ed.):   Vier Sonaten für 2 Flöten / Wilhelm Friedemann Bach. Neuausg. f. 2 V. v. Wilhelm Sieben. No. 4 [Em] - München: Wunderhorn-Verlag [1911]
82. Müller, Walther:   Johann Adolf Hasse als Kirchenkomponist: ein Beitrag zur Geschichte der neapolitanischen Kirchenmusik. Leipzig: Breitkopf & Härtel, 1911. vi, 179p. (= Publikationen der internationalen Musikgesellschaft: Beihefte; Folge 2,9). Repr.: Walluf: Sändig, 1973. ISBN: 3-500-26930-3.
83. Fischer, Walter:   Die Entwicklung des Choralvorspiels bei Joh. Seb. Bach. DieOrgel 11 (1911), 98-107.
84. Fischer, Walter:   Die Entwicklung des Choralvorspiels bei Joh. Seb. Bach. Bremen: Schweers & Haake, 1911. 37p. Sonderdr. aus 'Die Orgel' [1911]. [contents]
85. Boetticher, Walter von:   Geschichte des Oberlausitzischen Adels und seiner Güter 1635-1815. Görlitz: Oberlausitzische Gesellschaft der Wissenschaften; Görlitz: Verlagsanstalt Görlitzer Nachrichten u. Anzeiger, 1912-23. (Bd. 1, 1912, 961p.; Bd. 2, 1913, 1027p.; Bd. 3, 1919, 730p.; Bd. 4, 1923, 365p.)
86. Fischer, Wilhelm (ed.):   Wiener Instrumentalmusik vor und um 1750. Jg. 19, Nr. 2. Vorläufer der Wiener Klassiker, 2. Auswahl: Matthias Georg Monn: 5 Sinfonien u. 2 Konzerte / bearb. von Wilhelm Fischer. - Wien [u.a.]: Artaria & Co., 1912. xxxix, 122p. (= Denkmäler der Tonkunst in Österreich, Jg. 19,2 = Bd. 39)
87. Gulden, Willem A. van (arr.):   Sarabande / J. S. Bach. Rotterdam: Esso [1913] 3p. (= Stücke alter Meister für Violine allein bearb. von Willem A. van Gulden, No. 2) [BWV 1012/4]
88. Petzet, Walter:   Allerlei über die Matthäus-Passion. Signale 71/48 (26 Nov 1913), 1769-1772.
89. Whittaker, William Gillies (ed.):   'Bright the sunbeams': Aria [for Alto] / J.S. Bach for schools and ladies choirs and edited by W. Gillies Whittaker. - London: Stainer & Bell, c1914. 6p. Pl.-Nr.: S.& B. 1743. (= The Oxford Series of Bach Arias) [BWV 30a/5]
90. Petzet, Walter:   Joh. Seb. Bach's Kantatentexte. Signale 72/33 (19 Aug 1914), 1238-1239.
91. Petzet, Walter:   Das Bach-Jahrbuch 1913. Signale 72/45 (11 Nov 1914), 1395-1396.
92. Renner, Willy:   Präludien über den Namen 'BACH' für Klavier zu 2 Händen ; op. 6. Willy Renner. - Leipzig: Steingräber, [c.1915]. 11p. Best.-Nr. Ed. Steingräber 2125. Pl.-Nr. 1985.
93. Fischer, Wilhelm:   Zur Entwicklungsgeschichte des Wiener klassischen Stils. StMw(BeihDTÖ) 3 (1915), 24-84.
94. Kes, Willem (arr.):   Drei Praeludium [Esm, Bm, D] aus dem Wohltemperierten Klavier für kl. Orch. einger. v. W. Kes. [Partitur u. Stimmen] - Leipzig: Leuckart [1916]
95. Bridge, J. Frederick; Higgs, James, West, John Ebenezer (eds.):   The six 'Schübler' chorale prelude and the 'Clavierübung', pt. 3. Edited by J. F. Bridge, James Higgs, J.E. West and John Pointer. With an introduction by Ernest Newman. 'Explanation of the various ornament signs' by John E. West. - London: Novello & Co., [1916]. xi, 88p. Pl.-Nr. 11633, 13885. (= The Organ Works of John Sebastian Bach, Book 16) [BWV 645-650, 669-689, 552]
96. Nagel, Willibald:   Bachs Messe in H-Moll. In: Ausschnitt e. Stuttgarter Zeitung, um 1920.
97. Whittaker, William Gillies (ed.):   Cantatas 212: [Length'ning shadows: aria from the Bavern cantata Mann hahn en neue Oberkeet] [Vocal Score.] Ed. & arr. W. G. Whittaker. - London: Stainer & Bell, 1921 [BWV 212]
98. Whittaker, William Gillies (ed.):   Thou crownest the year: duet / J. S. Bach [Gottlob! nun geht das Jahr zu Ende; Vocal Score.] arranged and edited for schools and ladies choirs by W. G. Whittaker. - London: Stainer & Bell, [c.1921] 8p. S. & B. 2083. (= Stainer & Bell's collection of arias, duos and chorales, no. 4) [BWV 28/1]
99. Whittaker, William Gillies (ed.):   Six original chorales / J. S. Bach. [Vocal Score.] arranged and edited for schools and ladies' choirs by W. G. Whittaker. - London: Stainer & Bell, [1921] 11p. S. & B. 2084. (= Stainer & Bell's collection of arias, duos and chorales, no. 5)
100. Nagel, Willibald:   J. S. Bach und das Deutschtum. NMz(Stuttgart) 42/18 (23 Jun 1921), 277-281.
101. Werker, Wilhelm:   Studien über die Symmetrie im Bau der Fugen und die motivische Zusammengehörigkeit der Präludien und Fugen des 'Wohltemperierten Klaviers' von Johann Sebastian Bach. Leipzig, 1922. 356p. (= Abhandlung der Sächs. Staatl. Forschungsinstitute zu Leipzig. Forschungsinstitut für Musikwissenschaft, 3) - Wiesbaden: Sändig, 1969. 356p. (= Bach-Studien) [contents]
102. Rummel, Walter (arr.):   ERTODT' UNS DURCH DEIN GÜTE! / J. S. BACH = Mortify us by thy grace = Mortifie nous par ta grâce. Adapted by WALTER RUMMEL. - London: Augener, c.1922. Pl.-Nr.: 5494; 4th rev. edn. London: J. & W. Chester, c.1922. [i] (Preface, en-de-fr, dated '1927'), [2]p. Pl.-Nr.: J.W.C. 2168. (= Walter Rummel Adaptations. J. S. Bach. Choral Preludes, Series 1, No. 1) [BWV 22/5]
103. Petzet, Walter:   Bachs 'Chromatische'. Signale 80/ 7 (15 Feb 1922), 223-226.
104. Greiner, Wilhelm:   Die Seffnersche Rekonstruktion des Bachkopfes über den Totenschädel. In: Antiquitäten-Rundschau (Eisenach) 21 (1923) 22, S. 253-254
105. Whittaker, William Gillies (ed.):   The angels: cantata for Female Voices. Words very freely adapted with additions from William Blake's Night by C.S. Terry ; Music from THE CANTATAS OF J: s: BACH: Arranged and Edited for Schools and Ladies' Choirs by W.G. WHITTAKER. [Vocal Score.] - London: Stainer & Bell, 1923. [3], 47p. Pl.-Nr.: S. & B.2521-1 [-7]. [The sun is descending -- Angels pour their blessing -- Wolves and tigers howl for prey -- They peep in each nest -- Where the mourner lieth weeping -- Dear angels stand beside me -- By their spell the lion is tamed.] [BWV 184/2, 154/4, 85/2, 206/11, 147/6, 95/3, 184/6]
106. Werker, Wilhelm:   Die Mattäus-Passion. Leipzig: Breitkopf und Härtel, 1923. 96p. (= Bach-Studien, 2) [contents]
107. Fischer, Wilhelm (ed.):   'Ich will den Kreuzstab gerne tragen': Kantate No. 56 / J. S. Bach [Vorw. dt., engl., franz. von Wilhelm Fischer] Studienpartitur. - Wien: Wiener Philharmonischer Verlag, 1924. 4 gez. S., 24p. Best.-Nr.: Philharmonia No. 104. Pl.-Nr.: W. Ph. V. 104. (= Philharmonia Partituren, No. 104) [BWV 56]
108. Fischer, Wilhelm (ed.):   'Now Shall the Grace' = 'Nun ist das Heil': Kantate No. 50 / J. S. Bach. The English translation is by the Rev. J. Troutbeck, published by Novello & Co., London, by whose kind permission that translation is used in this edition [Vorw. dt., engl., franz. von Wilhelm Fischer] [Studienpartitur] - Wien: Wiener Philharmonischer Verlag, [1924] 4 gez. S., 32p. Best.-Nr.: Philharmonia No. 111. Pl.-Nr.: W. Ph. V. 111. (= Philharmonia Partituren, No. 111) [BWV 50]
109. Rummel, Walter (arr.):   WAS GOTT TUT, DAS IST WOHLGETAN / Johann Peter Kellner = What God doth that is rightly done / adapted by WALTER RUMMEL. - London: Augener ; London: J. & W. Chester, c.1924. 1-4p. Pl.-Nr.: 1512a. (= Walter Rummel piano adaptations from the organ: Bach's forerunners & contemporaries, No. 2)
110. Rummel, Walter (arr.):   VOM HIMMEL HOCH DA KOMM' ICH HER / Johann Pachelbel [Chorale prelude] = From heaven high, I come to thee. Adapted by WALTER RUMMEL - London: Augener, London: J. & W. Chester, c.1924. 1-4p. Pl.-Nr.: 1515a. (= Walter Rummel piano adaptations from the organ: Bach's forerunners & contemporaries, No. 5)
111. Rummel, Walter (arr.):   Two choral preludes / Johann Nicolaus Hanff Auf meinen lieben Gott trau'ich = In my beloved God I trust -- Ein feste Burg ist unser Gott = A castle strong is our God. Adapted by WALTER RUMMEL. - London: Augener ; London: J. & W. Chester, c.1924. 4-7p. Pl.-Nr.: 1511a. (= Walter Rummel piano adaptations from the organ: Bach's forerunners & contemporaries, No. 1)
112. Rummel, Walter (arr.):   NUN LASST UNS GOTT DEM HERREN DANKSAGEN / Vincent Lübeck = Now let us praise the Lord our God. Adapted by WALTER RUMMEL. - London: Augener, London: J. & W. Chester, c.1924. 2-7p. Pl.-Nr.: 1516a. (= Walter Rummel piano adaptations from the organ: Bach's forerunners & contemporaries, No. 3)
113. Fischer, Wilhelm (ed.):   'Schlage doch, gewünschte Stunde': Kantate No. 53 / J. S. Bach. The English translation is by the Paul England, published by Novello & Co., London, by whose kind permission that translation is used in this edition [Vorw. dt., engl., franz. von Wilhelm Fischer] [Studienpartitur] - Wien: Wiener Philharmonischer Verlag, [1924] 4 gez. S., 8p. Best.-Nr.: Philharmonia No. 102. Pl.-Nr.: W. Ph. V. 102. (= Philharmonia) [BWV 53 (Anh. II)]
114. Whittaker, William Gillies:   Fugitive Notes on certain Cantatas and the Motets of J. S. Bach. London: Humphrey Milford, 1924 - Oxford Univ. Press [1924]. xii, 298p.
115. Graeser, Wolfgang:   Bachs 'Kunst der Fuge'. BachJb 21 (1924), 1-104.
116. Whittaker, William Gillies (arr.):   'Sing We the Birth.' 'Das neugebor'ne Kindelein'. [Vocal Score] Edited and arranged by W. G. Whittaker, the English words by C. Sanford Terry. - [London:] Oxford University Press [1924] 32p. (= J. S. Bach's Church Cantata No. 122) [BWV 122]
117. Virneisel, Wilhelm:   Christian Benjamin Klein und seine Sammlung musikalischer Handschriften. diss. (1924), 116 Bl. von Wilhelm Virneisel. - PhD diss., Bonn, Phil. Diss. v. 13. Dez. 1924 [1928] [116] Bl. [Maschinenschrift].- Auszug in: Jahrbuch d. Phil. Fak. Bonn. Jg. 3. 1924/25. S. 256-258.
118. Rummel, Walter (arr.):   CHORAL-OUVERTURE: ACH WIE NICHTIG, ACH WIE FLÜCHTIG IST DES MENSCHEN LEBEN / J. S. BACH = Ah! How ephemeral, how transitory is man's life! Adapted by WALTER RUMMEL. - London: Augener, 1924. 5p. Pl.-Nr.: 1513a.; London: J. & W. Chester, c1924. [i] (Preface, en-gr-fr, dated '1927'), 1-5p. Pl.-Nr.: J. W. C. 2169. (= Walter Rummel Adaptations. J. S. Bach. Choral Preludes, Series 1, No. 2) [BWV 26/1]
119. Rummel, Walter (arr.):   LIEBSTER JESU WIR SIND HIER / J. S. BACH = Blessed Jesus, here we stand. Adapted by WALTER RUMMEL. - London: Augener, 1924. 3p. Pl.-Nr.: 1514a. - rev. edn. London: J. & W. Chester, 1927. 2-3p. Pl.-Nr.: J. W. C. 2170. (= Walter Rummel Adaptations. J. S. Bach. Choral Preludes, Series 1, No. 3) [BWV 731]
120. Werker, Wilhelm:   [Handschriftlicher Nachlass.] im Besitz des Verfassers [Harry Hahn] [c1920?]
121. Möller, Walter:   Von Bach bis Strauß. Musik-Novellen und -Skizzen. Oranienburg bei Berlin: Wilhelm Möller, [1925]. 109p.
122. Whittaker, William Gillies (ed.):   False love! Thou traitor perjured!: J.S. Bach's secular cantata 'Amore traditore' edited and arranged by W.G. Whittaker ; the English words by C. Sanford Terry. [vocal score] - [London]: Oxford University Press, [1925] 17p. [BWV 203]
123. [Willner, Arthur; Fischer, Wilhelm] (ed.):   Kantate No. 106: Gottes Zeit = God's own time: actus tragicus / J. S. Bach. English translation by Dr. C. Sanford Terry, Kontinuobearbeitung ... von Arthur Willner. [Preface in German, English and French by Dr. Wilhelm Fischer.] - Wien: Wiener Philharmonischer Verlag, 1925. 44p. Pl.-Nr.: W.Ph.V. 106 (= Philharmonia Partituren, 106) - repr. Wien: Universal Edition, 1975. [BWV 106]
124. Whittaker, William Gillies (ed.):   'Jesu, Joy and Treasure' J. S. Bach's Motet, 'Jesu, meine Freude'. [Vocal score.] Edited by W. G. Whittaker, English version of Franck's hymn by C. Sanford Terry. - [London:] Oxford University Press, [c.1925]. vii, 76p. [BWV 227]
125. Whittaker, William Gillies (arr.):   'See Now.' 'Sehet, welch eine Liebe.' [Vocal score] Edited and arranged by W. G. Whittaker. The English words by C. Sanford Terry. - [London:] Oxford University Press, [1925] 38p. (= J. S. Bach's Church Cantata No. 64) [BWV 64]
126. Fischer, Wilhelm:   Zur Chronologie der Klaviersuiten J. S. Bachs. [cr]Basel1924 (1925), 127-130.
127. Graeser, Wolfgang:   Joh. Seb. Bachs 'Kunst der Fuge'. [cr]Basel1924 (1925), 151-152.
128. Vetter, Walther:   Streiflichter auf die Geschichte der Tonalität. Zugleich ein Beitrag zur Bach-Kunde. DieMusik 17/12 (Sep 1925), 881-890.
129. Fischer, Wilhelm:   'Barrabam.' [gs]Scheurleer (1925), 115-118.
130. Whittaker, William Gillies (ed.):   Sinfonia from Church Cantata No. 75 ... Chorale 'Was Gott thut, das ist wohlgethan.' [vocal score] arranged and edited by W.G. Whittaker, translation by C. S. Terry. - London: Oxford University Press, [c.1925] 2p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.348) [BWV 75]
131. Whittaker, William Gillies (ed.):   CONCERTO FROM CHURCH CANTATA No. 152 Tritt auf die Glauben's Bahn / J. S. Bach. Edited by W. G. Whittaker. - London: Oxford University Press, 1925. 8p (= Oxford orchestral series, 8) [BWV 152/1]
132. Whittaker, William Gillies (ed.):   SINFONIAS TO BACH'S CANTATAS Nos. 12 21 156 ('Weinen, Klagen, Sorgen, Zagen') ('Ich hatte viel Bekümmernis') ('Ich steh' mit einem Fuss im Grabe') Edited by W. G. Whittaker. - London: Oxford University Press, 1925. 8p. (= Oxford orchestral series, 10) [BWV 12/1; 21/1, 156/1]
133. Whittaker, William Gillies (ed.):   SINFONIA TO CHURCH CANTATA No. 42 (Am Abend aber desselbigen Sabbaths) / J. S. Bach Edited by W. G. Whittaker. - London: Oxford University Press, 1925. 10p. (= Oxford orchestral series, 11) [BWV 42/1]
134. Whittaker, William Gillies (ed.):   SONATINA (INTRODUCTION) FROM CHURCH CANTATA No. 106 AND SONATA (INTRODUCTION) FROM CHURCH CANTATA No. 182 (Gottes Zeit) (Himmelskonig, sei willkommen) / J. S. BACH. Edited by W. G. Whittaker. - London: Oxford University Press, 1925. 4p. (= Oxford orchestral series, O 13) [BWV 106/1; 182/1]
135. Whittaker, William Gillies (ed.):   SINFONIA FROM CHURCH CANTATA No. 18 (Gleich wie der Regen) / J. S. BACH edited by W. G. Whittaker. - London: Oxford University Press, 1925. 8p. (= Oxford orchestral series, O 15) [BWV 18/1]
136. Whittaker, William Gillies (ed.):   SINFONIA TO SECULAR CANTATA No. 209 (Non sa che sia dolore) / J. S. BACH. Edited by W. G. Whittaker. - London: Oxford University Press, 1925. 8p. (= Oxford orchestral series, 18) [BWV 209/1]
137. Whittaker, William Gillies (ed.):   SINFONIA TO CHURCH CANTATA No.75: (Die Elenden sollen essen) / J. S. Bach Edited by W. G. Whittaker. - London: Oxford University Press, 1925. 4p. (= Oxford orchestral series, O 19) [BWV 75/8]
138. Whittaker, William Gillies (ed.):   SINFONIA TO CHURCH CANTATA No. 76 Die Himmel erzählen die Ehre Gottes / J. S. Bach edited by W. G. Whittaker. - London: Oxford University Press, 1925. 5p. (= Oxford orchestral series, O 20) [BWV 76/8]
139. Whittaker, William Gillies (ed.):   MARCH FROM DRAMMA per MUSICA (Vereinigte Zweitracht der wechselnden Saiten) -- PRELUDE TO CANTATA No. 212 (Mer hahn en neue Oberkeet) -- TRIO / J.S. BACH Edited by W.G. Whittaker. - London: Oxford University Press, c1925. 10p. (= Oxford orchestral series, O22) [BWV 207, 212, 1040]
140. Whittaker, William Gillies (ed.):   SINFONIAS TO CHURCH CANTATAS Nos.150 & 196: (Nach dir, Herr, verlanget mich) (Der Herr denket an uns) / J. S. Bach Edited by W. G. Whittaker. - London: Oxford University Press, 1925. 5p. (= Oxford orchestral series, 23) [BWV 150/1; 196/1]
141. Whittaker, William Gillies (ed.):   CONCERTO FROM CHURCH CANTATA No. 142 Uns ist ein Kind geboren / J. S. Bach [Kuhnau?] Edited by W. G. Whittaker. - London: Oxford University Press, 1925. 6p. (= Oxford orchestral series, O24) [BWV 142/1 (Anh. II)]
142. Whittaker, William Gillies (ed.):   SONATA FROM CANTATA No.31: Die Himmel lacht, die Erde jubilieret / J. S. BACH. Edited by W. G. Whittaker. - London: Oxford University Press, 1925. 14p. (= Oxford orchestral series, 53) [BWV 31/1]
143. Whittaker, William Gillies (ed.):   FIRST SINFONIA FROM CHURCH CANTATA No. 35: 'Geist und Seele wird verwirret' Edited by W. G. Whittaker. - London: Oxford University Press, 1929. 18p. (= Oxford orchestral series, 59) [BWV 35/1]
144. Graeser, Wolfgang (ed.):   Die Kunst der Fuge 1750 / Johann Sebastian Bach. in ihrer ursprünglichen Form wiederhergestellt und von neuem hrsg. durch Wolfgang Graeser. - Leipzig: Bach-Gesellschaft, Breitkopf & Härtel, 1926. xxxi, 130p. Pl.-Nr. B. W. XLVII. [Partitur mit unterlegtem Klavierauszug] (= Johann Sebastian Bach's Werke, 47: Suppl.-Bd.) [BWV 1080]
145. Whittaker, William Gillies (ed.):   'Lord Christ, we now Thy praises sing.' 'Christum wir sollen loben schon.' [Vocal Score] arranged and edited by W. G. Whittaker; English text by C. Sanford Terry. - London: Oxford University Press, [c.1926] 38p. (= J. S. Bach's Church Cantata No. 121) [BWV 121]
146. Fischer, Wilhelm:   Zur Geschichte des Fugenthemas. [cr]Leipzig1925 (1926), 246. Die Sektionsvorträge. Sektion VIc-d: Geschichte der Musik von 1600 bis zum Tode Beethovens.
147. Whittaker, William Gillies (ed.):   God is our friend: trio from Church cantata no.122, Das neugebor'ne Kindelein = 'Sing we the birth' / J.S. Bach [vocal score] arranged and edited by W.G. Whittaker. - London: Oxford University Press, [c.1926] 8p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.352) [BWV 122/4]
148. Rummel, Walter (arr.):   VATER UNSER IM HIMMELREICH / J. S. BACH = Our father in heaven = Notre père dans le ciel. Adapted by WALTER RUMMEL. - London: Augener, 1926. 6p. Pl.-Nr.: 5355.; London: J. & W. Chester, c1926. 4-6p. Pl.-Nr.: J. W. C. 2171. (= Walter Rummel Adaptations. J. S. Bach. Choral Preludes, Series 1, No. 4) [BWV 760 - Anh. III 172]
149. Rummel, Walter (arr.):   WAS GOTT TUT, DAS IST WOHLGETAN / J. S. BACH = What God hath done, is rightly done. Adapted by WALTER RUMMEL. - London: Augener, 1926. 4-9p. Pl.-Nr.: 5356 ; London: J. & W. Chester, 1927. 2-7p. Pl.-Nr.: J. W. C. 2172. (= Walter Rummel Adaptations. J. S. Bach. Choral Preludes, Series 1, No. 5) [BWV 99/1 or 100/1]
150. Rummel, Walter (arr.):   DAS ALTE JAHR VERGANGEN IST / J. S. BACH = The old year now hath passed. Adapted by WALTER RUMMEL. - London: Augener, 1926. 5p. Pl.-Nr.: 5357. (= Walter Rummel Adaptations. J. S. Bach. Choral Preludes, Series 1, No. 6) [BWV 614]
151. Rummel, Walter (arr.):   JESUS CHRISTUS, GOTTES SOHN / J. S. BACH = Jesus Christ the Son of God = Jésus Christ, le fils de dieu. Adapted by WALTER RUMMEL. - London: Augener, 1926. 6p. Pl.-Nr.: 5356.; London: J. & W. Chester, 1926. 1-4p. Pl.-Nr.: J.W.C. 2174. (= Walter Rummel Adaptations. J. S. Bach. Choral Preludes, Series 1, No. 7) [BWV 4/4]
152. Rummel, Walter (arr.):   Aria (Duett): 'WIR EILEN MIT SCHWACHEN; DOCH EMSIGEN SCHRITTEN' / J. S. BACH. = 'WE HASTEN TO THEE, WITH FEEBLE BUT EAGER FEET'. Adapted by WALTER RUMMEL. - London: Augener, 1926. 5-10p. Pl.-Nr.: 5384. (= Walter Rummel Adaptations. J. S. Bach. Serie 2, No. 1) [BWV 78/2]
153. Rummel, Walter (arr.):   Aria: MEIN GLÄUBIGES HERZE FROHLOCKE, SING, SCHERZE / J. S. Bach. = My believing heart, rejoice, sing and make merry = Mon cœur fervent. Triomphe. Chante et se réjouit. Adapted by WALTER RUMMEL. - London: Augener, 1926. 4-7p. Pl.-Nr.: 5385. ; repr. London: J. & W. Chester, 1927. 2-5p. Pl.-Nr.: J.W.C. 2203. (= Walter Rummel Adaptations. J. S. Bach. Serie 2, No. 3) [BWV 68/2]
154. Rummel, Walter (arr.):   Tanzlied des Pan: 'ZU TANZE, ZU SPRUNGE' / J. S. BACH = Pan's Dancing Song 'TO DANCE, TO FROLIC'. Adapted by WALTER RUMMEL. - London: Augener, c.1926. 11p. Pl.-Nr.: 5386. ; London: J. & W. Chester, c.1926. 5-11p. Pl.-Nr.: J.W.C. 2248. (= Walter Rummel Adaptations. J. S. Bach. Serie 2, No. 7) [BWV 201/7]
155. Whittaker, William Gillies (ed.):   Cantatas 29. [Full Score.] Ed. W. G. Whittaker. - London: Oxford University Press, 1927 [BWV 29]
156. Whittaker, William Gillies (ed.):   'What God Doth, Surely That Is Right': Cantata No. 98. ... Edited and arranged by W. G. Whittaker. the English words by C. Sanford Terry. [Vocal Score.] - London: Oxford University Press, [c.1927] 31p. [BWV 98]
157. Whittaker, William Gillies (ed.):   'Jesus called to Him the Twelve.' 'Jesus nahm zu sich die Zwölfe.' [Vocal Score] arranged and edited by W. G. Whittaker; English text by C. Sanford Terry. - London: Oxford University Press, [c.1927] 36p. (= J. S. Bach's Church Cantata No. 22) [BWV 22]
158. Whittaker, William Gillies (ed.):   'The Heavens shout.' 'Der Himmel lacht.' [Vocal Score] edited and arranged by W.G. Whittaker; the English words by C. Sanford Terry. - London: Oxford University Press, 1927. 43p. (= J. S. Bach's Church Cantata No. 31) [BWV 31]
159. Whittaker, William Gillies (ed.):   'Now hath the grace and the strength.' 'Nun ist das Heil und die Kraft.' [Vocal Score.] Ed. & arr. W. G. Whittaker. English by C. S. Terry. - London: Oxford University Press, [c.1927] 32p. (= J. S. Bach's Church Cantata No. 50) [BWV 50]
160. Whittaker, William Gillies (ed.):   'What God doth, surely that is right!' 'Was Gott thut, das ist wohlgetan.' [Vocal Score] arranged and edited by W. G. Whittaker; English text by C. Sanford Terry. - London: Oxford University Press, [1927] 31p. (= J. S. Bach's Church Cantata No. 98) [BWV 98]
161. Whittaker, William Gillies (ed.):   'Lord, enter not into wrath.' 'Herr, gehe nicht in's Gericht.' [Vocal Score] arranged and edited by W. G. Whittaker; English text by C. Sanford Terry. - London: Oxford University Press, [c.1927] 44p. (= J. S. Bach's Church Cantata No. 105) [BWV 105]
162. Whittaker, William Gillies (ed.):   Care and sorrow flee before thee: chorale / J. S. Bach. [Es ist nichts Gesundes an meinem Leibe. Ich will alle meine Tage; Vocal Score.] arranged and edited for schools and ladies' choirs by W. G. Whittaker; English words by C. S. Terry. - London: Stainer & Bell, [c.1927] 8p. Pl.-Nr.: S. & B. 3674. (= Stainer & Bell's collection of arias, duos and chorales, no. 13) [BWV 25/6]
163. Whittaker, William Gillies (ed.):   I follow Thee now. Duet. Aria with Chorale. [Sehet, wir geh'n hinauf gen Jerusalem. Ich folge nach; Vocal Score.] English words by C. S. Terry ... Arranged and edited ... by W. G. Whittaker. - London: Stainer & Bell, [1927] p. Pl.-Nr.: S. & B. (= Stainer & Bell's collection of arias, duos and chorales, no. 14) [BWV 159/2]
164. Whittaker, William Gillies (ed.):   Since Thou from death hast risen again = Am i Ti ddod i'r lan o'r Bedd (Weil du vom Tod erstanden bist): the concluding part of the final chorus of Church cantata no.15 'Denn du wirst meine Seele nicht in der Hölle lassen' / [Johann Ludwig Bach] arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1927. 6p. (= Bach's Extended Chorales, 1) [BWV 15/5 / Anh. III 157/5]
165. Whittaker, William Gillies (ed.):   Awake us, Lord, and hasten = Bywhâ ni, Iôr tragywydd (Ertödt uns durch dein' Gute); the closing number of Church Cantata no.22 arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1927. 9p. (= Bach's Extended Chorales, 2) [BWV 22/5]
166. Whittaker, William Gillies (ed.):   O ever-faithful God = O fythol-ffyddlon Dduw (O Gott, du frommer Gott): the closing number of Church cantata no.24, Ein ungefärbt Gemüthe / [J.S. Bach] arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1927. 7p. (= Bach's Extended Chorales, 3) [BWV 24/6]
167. Whittaker, William Gillies (ed.):   Thine is alone the glory = Ti'n unig biau'r moliant (Dein ist allein die Ehre). Chorale: the final number of church cantata no.41, 'Jesu, nun sei gepreiset', for the Feast of the Circumcision (New Year's Day) (c.1736) arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1927. 8p. (= Bach's Extended Chorales, 4) [BWV 41/6]
168. Whittaker, William Gillies (ed.):   O Lord Thou God of truth = O Dduw gwirionedd glân (O grosser Gott der Treu): the closing number of Church Cantata no.46 arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1927. 6p. (= Bach's Extended Chorales, 5) [BWV 46/6]
169. Whittaker, William Gillies (ed.):   Lord, in thy love = Duw, yn dy ras (Es woll' uns Gott genädig sein) from church cantata no.76 (Die Himmel erzählen die Ehre Gottes) for second Sunday after Trinity, 1723 arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1927. 17p. (= Bach's Extended Chorales, 6) [BWV 76/7]
170. Whittaker, William Gillies (ed.):   Content, my God = O'm bodd, fy Nuw (Ei nun, mein Gott) from Church Cantata no.92 'Ich hab' in Gottes Herz und Sinn' for Septuagesima Sunday (c.1740). arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1927. 10p. (= Bach's Extended Chorales, 8) [BWV 92/7]
171. Whittaker, William Gillies (ed.):   What God doth, that alone is right = A wnelo'r Arglwydd, cyfiawn yw (Was Gott thut, das ist wohlgethan): from Church Cantata no.100. arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1927. 5p. (= Bach's Extended Chorales, 9) [BWV 100/6]
172. Whittaker, William Gillies (ed.):   To God give thanks and praise = Cydgenwch 'Iddo ef' (Nun danket Alle Gott): closing number of Church Cantata no.79 arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1927. 8p. (= Bach's Extended Chorales, 17) [BWV 79/6]
173. Whittaker, William Gillies (arr.):   STRING SUITE No. 1 [in C major] / J.S. Bach Arranged and edited by W.G. Whittaker ; bowed and fingered by Alfred M. Wall. - London: Oxford University Press, 1927. 12p. (= Oxford orchestral series, 36) [BWV 1066 without mvt.1]
174. Whittaker, William Gillies (ed.):   STRING SUITE No. 2 [in B minor] / J. S. Bach arranged & edited by W. G. Whittaker ; bowed & fingered by Alfred M. Wall. - London: Oxford University Press, 1927. 11p. (= Oxford orchestral series, O37) [BWV 1067 without mvt.1]
175. Whittaker, William Gillies (ed.):   STRING SUITE No. 3 [in D major] / J. S. Bach Arranged & edited by W. G. Whittaker ; bowed & fingered by Alfred M. Wall. - London: Oxford University Press, 1927. 9p. (= Oxford orchestral series, 38) [BWV 1068]
176. Whittaker, William Gillies (ed.):   STRING SUITE No. 4 [in D major] / J. S. Bach Arranged & edited by W. G. Whittaker ; bowed & fingered by Alfred M. Wall. - London: Oxford University Press, 1927. 11p (= Oxford orchestral series, O 39) [BWV 1069 without mvt.1]
177. Whittaker, William Gillies (ed.):   STRING SUITE No. 5 / J. S. Bach. arranged & edited by W. G. Whittaker ; bowed & fingered by Alfred M. Wall. - London: Oxford University Press, 1927. 4p.(= Oxford orchestral series, O 40) [BWV 1046/4-5]
178. Whittaker, William Gillies (ed.):   SINFONIA TO CHURCH CANTATA No. 29 'Wir danken dir, Gott, Wir danken dir.' / [J. S. Bach] Edited by W. G. Whittaker. - London: Oxford University Press, 1927. 18p. (= Oxford orchestral series, O 42) [BWV 29/1]
179. Whittaker, William Gillies (ed.):   'Cease, sad eyelids': Soprano aria from church cantata no.98 'What God doth, surely that is right' / J. S. Bach Arranged and edited by W. G. Whittaker. - London: Oxford University Press, [c1927]. 9p. (= The Oxford Series of Bach Arias, No. 10) [BWV 98/3]
180. Rummel, Walter (arr.):   ORCHESTRAL OVERTURE. 'THROUGH AFFLICTION WE ENTER THE KINGDOM OF HEAVEN' / J. S. BACH = 'WIR MÜSSEN DURCH VIEL TRÜBSAL IN DAS REICH GOTTES EINGEHEN' = 'PAR AFFLICTION NOUS ENTRONS AU ROYAUME DE DIEU': Adapted by WALTER RUMMEL. - London: J. & W. Chester, 1927. 5-19p. Pl.-Nr.: J. & W. C. 2144. (= Walter Rummel Adaptations. J. S. Bach. Series 3, No. 1) [BWV 146/1]
181. Rummel, Walter (arr.):   LEOPOLD SERENATA: 'THY NAME LIKE UNTO THE SUN...' / J. S. BACH = 'DEIN NAME GLEICH DER SONNE GEH...' = 'TON NOM; PAREIL AU SOLEIL...'. Adapted by WALTER RUMMEL. - London: J. & W. Chester, 1927. 3-7p. Pl.-Nr.: J. & W. C. 2143. (= Walter Rummel Adaptations. J. S. Bach. Series 3, No. 2) [BWV 173a/7]
182. Rummel, Walter (arr.):   CEMBALO OBBLIGATO 'CHI IN AMORE HA NEMICA LA SORTE' / J. S. BACH = 'LET NEVER LOVE DECEIVE THEE' = 'LASS DICH NIMMER VON DER LIEBE BERÜCKEN'. Adapted by WALTER RUMMEL. - London: J. & W. Chester, 1927. 4-11p. Pl.-Nr.: J. & W. C. 2145. (= Walter Rummel Adaptations. J. S. Bach. Series 3, No. 3) [BWV 203/3]
183. Graeser, Wolfgang (ed.):   Die Kunst der Fuge 1750 / Johann Sebastian Bach. In der Neuordnung von Wolfgang Graeser. [Studienpartitur mit unterlegtem Klavierauszug.] Nach der kritischen Ausg. (Bachs Werke, Jg. 47, Suppl.-Bd). - Leipzig: Breitkopf & Härtel, 1927. 130p. [Pl.-Nr.: N.B.XXVIII.1] - 2/1947, 3/1955. (= Veröffentlichungen der Neuen Bachgesellschaft, 28.1) [BWV 1080]
184. Whittaker, William Gillies:   Some Problems in the Performance of Bach's Church Cantatas. ProceedRMA 54 (1927-28), 35-61. January 10, 1928. Professor J. C. Bridge, M.A., Mus.D., F.S.A., President, In the Chair.
185. Meyer, W.:   Charakterbilder großer Tonmeister. Persönliches und Intimes aus ihrem Leben und Schaffen. Erster Band: Bach/Händel/Haydn/Mozart. Mit 8 Abb. 3. Aufl. Bielefeld 1928. 182 p
186. Upmeyer, Walter (ed.):   XX kleine Fugen; so wohl auf der Orgel, als auf dem Claviere zu spielen / von G. P. Telemann. Hrsg. Walter Upmeyer. nach besonderen Modis verfasset; und dem hochberühmten venetianischen Nobili und Haupte derVirtuosen, Herrn Benedetto Marcello, gewidmet. - Hannover: Nagel, 1928. 24p. (= Nagels Musik-Archiv, 13) - repr: Celle: Nagel, [c.1960]. 24p. [Neudr. der Ausg. 1928], Kassel: Nagel, c1967. 24p. [TWV 30/1-20]
187. Hensel, Walther:   Schönster Herr Jesu: Weise 1677. Satz von Walther Hensel. [Chorpartitur] - Kassel: Bärenreiter, [1928] [2]p Best.-Nr.: Kl. BA 191. [Enth. außerd.: Wachet auf, ruft uns die Stimme / Johann Sebastian Bach]
188. Kes, Willem (arr.):   Sechs Violin-Sonaten / Joh. Seb. Bach. Für zwei Violinen bearb. von Willem Kes. Partitur. - Berlin-Lichterfelde: Vieweg, [1928]. 44p. Pl.-Nr. V.1814. [BWV 1001-1006]
189. Hess, Myra; Whittaker, William Gillies (arr.):   Jesu, joy of man's desiring: the chorale from Cantata no.147. arranged for piano by Myra Hess ; arranged and edited [for violin] by W.G.Whittaker. - London: Oxford University Press, [1928, 1931] 4p + St. [BWV 147/6]
190. Whittaker, William Gillies (ed.):   'Who thanks offers, he praiseth Me.' 'Wer Dank opfert, der preiset mich.' [Vocal Score] Edited and arranged by W. G. Whittaker. The English Words by C. Sanford Terry. - London: Oxford University Press, [c.1928] 36p. (= J. S. Bach's Church Cantata No. 17) [BWV 17]
191. Whittaker, William Gillies (ed.):   'In thee do I rejoice.' 'Ich freue mich in dir.' [Vocal Score] Edited, and arranged, and with English text by W.G. Whittaker. -London: Oxford University Press, 1928. 38p. (= J.S. Bach's church cantata No. 133) [BWV 133]
192. Whittaker, William Gillies (ed.):   'King of Heaven, be Thou welcome.' 'Himmelskönig, sei willkommen.' [Vocal Score] Edited, arranged and with English Text by W. G. Whittaker - London: Oxford University Press, [1928] [vi], 55p. (= J. S. Bach's Church Cantata No. 182) [BWV 182]
193. Matthes, Wilhelm:   Nürnberg: Das Nürnberger Bach-Fest. DieMusik 21/ 1 (Oct 1928), 73-74. Musikleben.
194. Eickemeyer, Willy (ed.):   Konzert für Cembalo in D-moll / Joh. Seb. Bach. Unter Beibehaltung des von der Bach-Gesellschaft übermittelten Originals für den modernen Flügel bearbeitet und die Begleitstimmen auf ein zweites Klavier übertragen von Willy Eickemeyer. - Leipzig: Steingräber, [c.1928]. 44p. Pl.-Nr.: 2409. (= Edition Steingräber, 118) [BWV 1052]
195. [Whittaker, William Gillies]:   Some Problems in the Performance of Bach's Church Cantatas. MTimes 69/1024 (Jun 1928), 544-545. [paper read at Musical Association held at Central Hall, Westminster, 10 January]
196. Whittaker, William Gillies (ed.):   Chorale from church cantata no.137: Praise to the highest: Lobe den Herren / J. S. Bach [vocal score] arranged and edited by W.G. Whittaker. - London: Oxford University Press, [c.1928] 6p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1437) [BWV 137/5]
197. Whittaker, William Gillies (ed.):   Lord Christ above: chorale from church cantata no.166, 'Wo gehest du hin' / J. S. Bach [vocal score] arranged and edited by W.G. Whittaker. - London: Oxford University Press, [c.1928] 5p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1438) [BWV 166/3]
198. Whittaker, William Gillies (ed.):   Duet: Et misericordia = And his mercy, from the Magnificat / J.S. Bach [vocal score] arranged and edited by W.G. Whittaker. - London: Oxford University Press, [c.1928] 7p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1439) [BWV 243/7]
199. Whittaker, William Gillies (ed.):   Aria, Et exultavit = My soul rejoices: from the Magnificat / J.S. Bach [score] arranged and edited by W.G. Whittaker. - London: Oxford University Press, [c.1928] 6p. (= Oxford choral songs from the old masters, no. 1440) [BWV 243/2]
200. Whittaker, William Gillies (ed.):   Love, ye faithful: aria from church cantata no.76 / J. S. Bach [vocal score] arranged and edited by W.G. Whittaker. - London: Oxford University Press, [c.1928] 5p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1441) [BWV 76/12]
201. Whittaker, William Gillies (ed.):   Chorale from Church cantata no.147: Herz und Mund und That und Leben = Jesu joy of man's desiring = Wohl mir, dass ich Jesum habe / J.S. Bach [vocal score] edited by W.G. Whittaker. - London: Oxford University Press, [c.1928] 3p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1443) [BWV 147/6]
202. Whittaker, William Gillies (ed.):   SINFONIA FROM THE EASTER ORATORIO Kommt, eilet und laufet. FIRST MOVEMENT / J. S. BACH Edited by W. G. Whittaker. - London: Oxford University Press, 1928. 14p. (= Oxford orchestral series, O 55) [BWV 249/1]
203. Whittaker, William Gillies (ed.):   SINFONIA FROM THE EASTER ORATORIO Kommt, eilet und laufet. SECOND MOVEMENT / J. S. BACH edited by W. G. Whittaker. - London: Oxford University Press, 1928. 3p. (= Oxford orchestral series, O56) [BWV 249]
204. Whittaker, William Gillies (ed.):   'Jesu, joy of man's desiring' = 'Wohl mir, dass ich Jesum habe': Chorale from Church Cantata no.147, 'Herz und Mund und That und Leben' / J.S. Bach arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1928. 4p. (= Oxford orchestral series, 57) [BWV 147/6]
205. Whittaker, William Gillies (ed.):   SECOND SINFONIA FROM CHURCH CANTATA No. 35 'Geist und Seele wird verwirret' / [J. S. Bach] Edited by W. G. Whittaker. - London: Oxford University Press, 1928. 6p (= Oxford orchestral series, 60) [BWV 35/5]
206. Rummel, Walter (arr.):   Sinfonia 'Weinen, klagen, sorgen, zagen' / J. S. BACH = 'Weeping, lamenting' = 'Pleurer, lamenter'. Adapted from the 12th cantata by W. RUMMEL. - London: Augener, 1928. 3-6p. Pl.-Nr. 5662.; London: J. & W. Chester, 1928. 6p. Pl.-Nr.: J.W.C. 217. (= Walter Rummel Adaptations. J. S. Bach. Serie 2, No. 2) [BWV 12/1]
207. Rummel, Walter (arr.):   OH MENSCHEN, DIE IHR TÄGLICH SÜNDIGT / J. S. BACH = 'We sinful mortals' = 'Hommes, ô vous qui commettez chaque jour le péché'. Adapted from the 122nd cantata by W. RUMMEL. - London: Augener, 1928. 6p. Pl.-Nr. 5663.; London: J. & W. Chester, 1928. 3-6p. Pl.-Nr.: J.W.C. 2175. (= Walter Rummel Adaptations. J. S. Bach. Serie 2, No. 4) [BWV 122/2]
208. Rummel, Walter (arr.):   'DAS BRAUSEN VON DEN RAUHEN WINDEN' / J. S. BACH = 'The surging of the raw winds' = 'Le mjuggissement des vents amers'. Adapted from the 92nd Cantata by WALTER RUMMEL. - London: Augener, 1928. 6p. Pl.-Nr.: 5641.; London: J. & W. Chester, 1928. 3-6p. Pl.-Nr.: J.W.C. 2177. (= Walter Rummel Adaptations. J. S. Bach. Serie 2, No. 5) [BWV 92/6]
209. Rummel, Walter (arr.):   ARIA-PRELUDE 'DIE WELT IST NUR EIN RAUCH UND SCHATTEN' / J. S. BACH = 'The World is like Smoke and Shadow' = 'Le Monde est tout ombre et fumée'. Adapted from the 94th cantata by W. RUMMEL. - London: Augener, 1928. 6p. Pl.-Nr. 5664. ; London: J. & W. Chester, 1928. 4-6p. Pl.-Nr.: J.W.C. 2178. (= Walter Rummel Adaptations. J. S. Bach. Serie 2, No. 6) [BWV 94/2]
210. Rossel, W.:   Der Christus in der Matthäus- und Johannespassion. SchweizerischeMzSängerBl 68 (1928)
211. Engel, W. (arr.):   Air / J. S. Bach. für Violoncello u. Klavier, bearb. v. W. Engel. - Leipzig: Benjamin [1929]
212. Whittaker, William Gillies (arr.):   Pastorella / J. S. Bach. arranged for pianoforte solo by W. G. Whittaker. c1929. 12p. [BWV 590]
213. Whittaker, William Gillies; Wiseman, Herbert; Wishart, J. (eds.):   The Clarendon classical song books. Volume II. [Voice-part edition] Edited by W. Gillies Whittaker, Herbert Wiseman and J. Wishart. - London: Oxford University Press, [c.1929] 30p. [The melodies to sixteen songs by Campian, Handel, J.S. Bach, Mozart, Schubert, Sterndale Bennett, Cornelius, Brahms, Bainton, Frank Bridge, Judd, Whittaker, and Sam Arnold; together with eleven traditional songs arranged by the editors]
214. Whittaker, William Gillies (ed.):   Chorale Prelude, 'Wir Glauben all'in eimem Gott, Vater' = 'We all believe in one God the Father' / J. S. Bach. Arranged for Pianoforte Solo. By W. G. Whittaker. - London: Oxford University Press, 1929. 3p. [BWV 740]
215. Whittaker, William Gillies (ed.):   Aria from the Pastorella arr. for pianoforte solo by W. G. Whittaker. - London: Oxford University Press, 1929. 4p. [BWV 590/3]
216. Whittaker, William Gillies; Wiseman, Herbert; Wishart, J. (eds.):   The Clarendon classical song books. Volume II. [Piano edition] Edited by W. Gillies Whittaker, Herbert Wiseman and J. Wishart. - London: Oxford University Press, [c.1929] 58p. [The melodies and accompaniments to sixteen songs by Campian, Handel, J.S. Bach, Mozart, Schubert, Sterndale Bennett, Cornelius, Brahms, Bainton, Frank Bridge, Judd, Whittaker, and Sam Arnold; together with eleven traditional songs arranged by the editors]
217. Whittaker, William Gillies (ed.):   Jesu, joy of man's desiring from cantata No. 147 / J. S. Bach. [Arr. and ed. by] W. Gillies Whittaker. [Klavierauszug] - London: Oxford Univ. Press, c1929 (Renewed in USA 1957) 8p. ISBN: 0-19-353040-6. (= Oxford Choral Music) [BWV 147/6]
218. Whittaker, William Gillies (ed.):   'Ah how fleeting.' 'Ach wie flüchtig, ach wie nichtig.' [Vocal Score] arranged and edited by W. G. Whittaker; English text by C. Sanford Terry. - London: Oxford University Press, [1929] 30p. (= J.S. Bach's Church Cantata No. 26) [BWV 26]
219. Whittaker, William Gillies (ed.):   'Why Art Cast Down Within Me?' 'Was willst du dich betrüben.' Edited and arranged by W. G. Whittaker. The English words by C. Sanford Terry. - London: Oxford University Press, 1929. 28p. (= J. S. Bach's Church Cantata No. 107) [BWV 107]
220. Whittaker, William Gillies (ed.):   'Take what thine is, and go thy way.' 'Nimm, was dein ist, und gehe hin.' [Vocal Score.] Ed. & arr. W. G. Whittaker. English by C. S. Terry. - London: Oxford University Press, [c.1929] 24p. (= J. S. Bach's Church Cantata No. 144) [BWV 144]
221. Whittaker, William Gillies:   Notes on Bach's Orchestration. Consort 1 (Oct 1929), 1-4.
222. Eickemeyer, Willy (arr.):   Zwei Fugen in D-moll für zwei Klaviere aus 'Die Kunst der Fuge' / Joh. Seb. Bach bearbeitet von Willy Eickemeyer. - Leipzig: Steingräber-Verlag, [1929]. 8p + 2 St. Pl.-Nr.: 2419. (= Edition Steingräber, Nr.2436) [BWV 1080]
223. Whittaker, William Gillies (ed.):   Now I know that Thou art loving = 'Nawr mi wn mai cariad ydwyt (Nun, ich weiss, du wirst mir stillen): the final chorus of Church Cantata no.105 arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1929. 4p. (= Bach's Extended Chorales, 10) [BWV 105/6]
224. Whittaker, William Gillies (ed.):   So let me sing God's praises = Rhof glod i Dduw gan hynny (Herr, gieb, dass ich dein' Ehre): the final chorus of Church Cantata no.107, 'Was willst du dich betru?ben', for the seventh Sunday after Trinity (c.1735). arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1929. 6p. (= Bach's Extended Chorales, 11) [BWV 107/7]
225. Whittaker, William Gillies (ed.):   With praises unto God = Mae llysoedd Nef yn llawn (Dem wir das Heilig itzt): the final chorus of Church Cantata no.129. arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1929. 5p. (= Bach's Extended Chorales, 12) [BWV 129/5]
226. Whittaker, William Gillies (ed.):   Alleluja! = Haleliwia: The final chorus of church cantata No. 142 / Bach [Kuhnau?] arr. [for SATB chorus and organ/piano accompaniment] & ed. W. G. Whittaker. Welsh version by R. Williams Parry & E. T. Davies. English text by C. S. Terry. - London: Oxford University Press, 1929. 5p. (= Bach's extended chorales, 13) [BWV 142 (Anh. II)]
227. Whittaker, William Gillies (ed.):   Jesu, Joy of man's desiring = Iesu, drud ddifyrrwch dynion (Wohl mir, dass ich Jesum habe) from Church cantata no.147 Herz und Mund und That und Leben / [J.S. Bach] arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1929. 8p. (= Bach's Extended Chorales, 14) [BWV 147/6]
228. Whittaker, William Gillies (ed.):   All glory, thanks, and blessing = Gogoniant ac anrhydedd (Sei lob und Preis mit Ehren): the final chorus of Church Cantata no.92 arranged [for SATB chorus and organ/piano accompaniment] and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1929. 11p. (= Bach's Extended Chorales, 15) [BWV 92/9]
229. Whittaker, William Gillies (ed.):   Our foes press on us far wide = Mae grym gelynion ar bob tu (Augspreeen sie den Rachen weit): the fifth movement from Church Cantata no.178 arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1929. 7p. (= Bach's Extended Chorales, 16) [BWV 178/5]
230. Whittaker, William Gillies (ed.):   Lord, we give praise to Thee = Ti, Iôr a folwn ni (Herr Gott, dich loben wri): the second movement of Church Cantata no.190 arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1929. 5p. (= Bach's Extended Chorales, 18) [BWV 190/2]
231. Whittaker, William Gillies (ed.):   Why art cast down within me? = Pa ofn yw hwn, fy nghalon (Was willst du dich betrüben): the first chorus of Church Cantata no.107 arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1929. 7p. (= Bach's Extended Chorales, 19) [BWV 107/7]
232. Whittaker, William Gillies (ed.):   Who hopes in God = Yr hwn obeithia (Wer hofft in Gott); the final chorus of Church Cantata no.109 arranged and edited by W. G. Whittaker; English words by C. S. Terry; Welsh version by R. Williams Parry and E. T. Davies. - London: Oxford University Press, 1929. (= Bach's Extended Chorales, 20) [BWV 109/6]
233. Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.):   Menuett - ... - Marsch - Ballett / Bach. ... Bearb. u. Einrichtungen v. J. Braun, W. Burmester, G. Hollaender, P. Juon, u. a. ausgew. u. hrsg. v. Dr. W. Kleefeld. [Partitur, Stimmen] - Berlin: Schlesinger, 1929. 12p + 6 St. Best.-Nr.: Bl.869a. Pl.-Nr.: S. 10568 U.I (= Gradus ad Symphoniam, Unterstufe 1) - repr. Berlin-Lichterfelde: Lienau, c.1960.
234. Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.):   ... 10 000 Dukaten / Bach ... Bearb. u. Einrichtungen v. J. Braun, W. Burmester, G. Hollaender, P. Juon, u. a. ausgew. u. hrsg. v. Dr. W. Kleefeld. [Partitur, Stimmen] - Berlin: Schlesinger, 1929. 12p + 6 St. Best.-Nr.: Bl.869a. Pl.-Nr.: S.10568 U.II. (= Gradus ad Symphoniam, Unterstufe 2) - repr. Berlin-Lichterfelde: Lienau, c.1960. [BWV 212]
235. Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.):   Air - ... - Polonaise / Bach ... Bearb. u. Einrichtungen v. J. Braun, W. Burmester, G. Hollaender, P. Juon, u. a. ausgew. u. hrsg. v. Dr. W. Kleefeld. [Partitur, Stimmen] - Berlin: Schlesinger, 1929. 12p + 6 St. Best.-Nr.: Bl.775a(5). Pl.-Nr.: S. 10568 U.III. (= Gradus ad symphoniam, Unterstufe 3)
236. Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.):   Rondo - Aria aus Concerto grosse No. 23 - Bourrée / Bach Bearb. u. Einrichtungen v. J. Braun, W. Burmester, G. Hollaender, P. Juon, u. a. ausgew. u. hrsg. v. Dr. W. Kleefeld. [Partitur, Stimmen] - Berlin: Schlesinger, 1929. 19p. Best.-Nr.: Bl.869b. Pl.-Nr.: S.10568 M.IV. (= Gradus ad Symphoniam, Oberstufe, 4)
237. Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.):   Gavotte und Musette / Bach. Bearb. u. Einrichtungen v. J. Braun, W. Burmester, G. Hollaender, P. Juon, u. a. ausgew. u. hrsg. v. Dr. W. Kleefeld. [Partitur, Stimmen] - Berlin: Schlesinger, 1929. 12p. Best.-Nr.: Bl.869a. Pl.-Nr.: S. 10568 U.VI. (= Gradus ad Symphoniam, Oberstufe, 6)
238. Braun, J.; Burmester, W.; Holaender, G.; Juon, P. (arr.):   Präludium und Fuge -- Finale / Bach. Bearb. u. Einrichtungen v. J. Braun, W. Burmester, G. Hollaender, P. Juon, u. a. ausgew. u. hrsg. v. Dr. W. Kleefeld. [Partitur, Stimmen] - Berlin: Schlesinger, 1929. 13p + 6 St. Best.-Nr.: S. 10 568 U.VII. (= Gradus ad Symphoniam, 7)
239. Whittaker, William Gillies (ed.):   Aria: My heart, ever faithful = Mein gläubiges Herze: from Church Cantata no.68 Also hat Gott die Welt geliebt / J.S. Bach [vocal score] arranged and edited by W.G. Whittaker. [caption note: 'This popular Aria was a reconstruction and expansion ... of a short song in a hunting cantata, Was mir behagt (English edition: Birthday cantata, The chase)'] - London: Oxford University Press, 1929. 6p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1455) [BWV 68/2]
240. Whittaker, William Gillies (ed.):   'Lord, wide as the Heaven above': Soprano Aria from Church Cantata No. 17 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 1) [BWV 17/3]
241. Whittaker, William Gillies (ed.):   'Thereupon one of the Lepers', 'Lord, Blessings rich in plenty come from Thee': Tenor Recitative and Aria from Church Cantata No. 17 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 2) [BWV 17/5]
242. Whittaker, William Gillies (ed.):   'Lord Jesus, draw me unto Thee': Contralto Aria from Church Cantata No. 22. ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 3) [BWV 22/2]
243. Whittaker, William Gillies (ed.):   'O Treasure of Treasures': Tenor Aria from Church Cantata No. 22 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 4) [BWV 22/4]
244. Whittaker, William Gillies (ed.):   'O longed-for Day!', 'Prince eternal': Bass Recitative and Aria from Church Cantata No. 31 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 5) [BWV 31/3-4]
245. Whittaker, William Gillies (ed.):   'He who would in Christ be living': Tenor Aria from Church Cantata No. 31 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 6) [BWV 31/6]
246. Whittaker, William Gillies (ed.):   'As Members by their Head are guided', 'Life's last Moment': Soprano Recitative and Aria from Church Cantata No. 31 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 7) [BWV 31/7-8]
247. Whittaker, William Gillies (ed.):   'Little Worth is found on Earth': Soprano Aria from Church Cantata No. 64 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 8) [BWV 64/5]
248. Whittaker, William Gillies (ed.):   'Of this world I ask for nought': Contralto Aria from Church Cantata No. 64 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 9) [BWV 64/7]
249. Whittaker, William Gillies (ed.):   'Never Jesus will I leave': Bass Aria from Church Cantata No. 98 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 11) [BWV 98/5]
250. Whittaker, William Gillies (ed.):   'Thoughts fearful and haunting': Soprano Aria from Church Cantata No. 105 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 12) [BWV 105/3]
251. Whittaker, William Gillies (ed.):   'If my Lord Jesus only deigns to love me': Tenor Aria from Church Cantata No. 105 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 13) [BWV 105/5]
252. Whittaker, William Gillies (ed.):   'Thou Son of Man': Tenor Aria from Church Cantata No. 121 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 14) [BWV 121/2]
253. Whittaker, William Gillies:   'John filled with Joy': Bass Aria from Church Cantata No. 121 'Lord Christ, we now thy praises sing' / J. S. Bach Arranged and edited by W. G. Whittaker. - London: Oxford University Press, [1929] 13p. (= The Oxford Series of Bach Arias, No. 15) [BWV 121]
254. Whittaker, William Gillies (ed.):   'We Mortals': Bass Aria from Church Cantata No. 122, 'Sing we the birth' / J. S. Bach London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 16) [BWV 122/2]
255. Whittaker, William Gillies (ed.):   'Be glad': Contralto Aria from Church Cantata No. 133 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 17) [BWV 133/2]
256. Whittaker, William Gillies (ed.):   'How sweetly ringing in my Hearing': Soprano Aria from Church Cantata No. 133 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 18) [BWV 133/4]
257. Whittaker, William Gillies (ed.):   'Lo, I come', 'Great Thy Love, Lord': Bass Recitative and Aria from Church Cantata No. 182 'King of heaven, be thou welcome'] / J. S. Bach. Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. 9p. (= The Oxford Series of Bach Arias, No. 19) [BWV 182/3-4]
258. Whittaker, William Gillies (ed.):   'Lowly bend before the Saviour': Contralto Aria from Church Cantata No. 182 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 20) [BWV 182/5]
259. Whittaker, William Gillies (ed.):   'Jesu, Paths of Weal and Woe': Tenor Aria from Church Cantata No. 182 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 21) [BWV 182/6]
260. Whittaker, William Gillies (ed.):   'Comfort sweet, Lord Jesus comes' = 'Süsser Trost, mein Jesus kommt': Soprano Aria from church cantata No.151 of the same title / J.S. Bach English text by C. S. Terry. Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. [1]-7p. (= The Oxford Series of Bach Arias, 22) [BWV 151/1]
261. Whittaker, William Gillies (ed.):   'As rapid, rushing rivulets': Tenor Aria from Church Cantata no.26 'Ah, how fleeting' (= Ach wie flüchtig, ach wie nichtig) / J. S. Bach arranged and edited by W. G. Whittaker. - London: Oxford University Press, [c.1929] 11p. (= The Oxford series of Bach arias, no.24) [BWV 26/2]
262. Whittaker, William Gillies (ed.):   'The Riches and Treasures': Bass Aria from Church Cantata No. 26, 'Ah, how fleeting' (= Ach wie flüchtig, ach wie nichtig) / J. S. Bach. Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. 10p. (= The Oxford Series of Bach Arias, No. 25) [BWV 26/4]
263. Whittaker, William Gillies (ed.):   'Yea, God no Man forsaketh', 'Upon His Strength relying': Bass Recitative and Aria from Church Cantata No. 107 'Why art cast down within me' (Was willst du dich betrüben) / J.S. Bach Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. 9p. (= The Oxford Series of Bach Arias, No. 26) [BWV 107/2-3]
264. Whittaker, William Gillies (ed.):   'Hell's despite, nay, nor Satan': Tenor Aria from Church Cantata no.107, 'Why art cast down within me' / J. S. Bach Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. 7p. (= The Oxford Series of Bach Arias, No. 27) [BWV 107/4]
265. Whittaker, William Gillies (ed.):   'For his ends God designed thee': Soprano Aria from Church Cantata no.107, 'Why art cast down within me' / J. S. Bach Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. 6p (= The Oxford Series of Bach Arias, No. 28) [BWV 107/5]
266. Whittaker, William Gillies (ed.):   'Myself to God resigning': Tenor Aria from Church Cantata no.107, 'Why art cast down within me' / J. S. Bach Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. 6p. (= The Oxford Series of Bach Arias, No. 29) [BWV 107/6]
267. Whittaker, William Gillies (ed.):   'O sweet Content': Soprano Aria from Church Cantata No. 144 ... Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1929. (= The Oxford Series of Bach Arias, No. 31) [BWV 144/5]
268. Giesen, W. (arr.):   Kein Hälmlein wächst auf Erden / Friedemann Bach. Satz für 4stg. Frauenchor: W. Giesen. [Partitur] - Mülheim an der Ruhr: Engels [c.1930] 1 Bl. Pl.-Nr. C.1424 E. [lange Wilhelm Friedemann Bach zugeschrieben, als Komponist Leonhard Emil Bach (1849 - 1902) ermittelt] [Fk S. 137 Unecht]
269. Whittaker, William Gillies; Wiseman, Herbert; Wishart, J. (eds.):   The Clarendon classical song books. Volume VI. [Piano edition] Edited by W. Gillies Whittaker, Herbert Wiseman and J. Wishart. - London: Oxford University Press, [c.1930] 55p. [The melodies and accompaniments to two traditional songs arranged by the editors and one arranged by E.T. Davies; five songs by Byrd, Bach, Mozart, Brahms, Delius; one traditional two-part song and four others by Peerson, Purcell, Gluck, and Gordon Slater; three rounds by Haydn, Mozart and Beethoven]
270. Fischer, Wilhelm:   Instrumentalmusik von 1600-1750. [ce]HandbuchMges_Adler (1930), 540-573. [betr. J. S. Bach]
271. Fischer, Wilhelm:   Instrumentalmusik von 1750-1828. [ce]HandbuchMges_Adler (1930), 795-833. [betr. u. a. J. S. Bachs Söhne]
272. Whittaker, William Gillies (ed.):   'Now hath the Grace and the Strength.' = 'Weithion trwy ras a thrwy rym a thrwy nerth.' 'Nun ist das Heil und die Kraft.' [vocal score] Trefnwyd gan W. G. Whittaker. Geiriau Cymraeg gan R. Williams Parry. Geiriau Saesneg gan C. S. Terry. [English ; German ; Welsh] - London: Oxford University Press, 1930. (= J. S. Bach's Church Cantata Rhif 50) [BWV 50]
273. Whittaker, William Gillies (ed.):   Now Comfort take, good Christians all ... Chorale. [Ach, lieben Christen, seid getrost. Wir wachen oder schlafen ein; Vocal Score.] English words by C. S. Terry ... Arranged and edited by W. G. Whittaker. Tonic Sol-fa translation by H. J. Timothy. - London: Stainer & Bell, [1930] (= Stainer & Bell's collection of arias, duos and chorales, no. 15) [BWV 114/7]
274. Whittaker, William Gillies (ed.):   Lord Jesu Christ, pure Source of Good ... Chorale. [Herr Jesu Christ, du höchstes Gut. Stärk' mich mit deinem Freudengeist; Vocal Score.] English words by C. S. Terry ... Arranged and edited by W. G. Whittaker. Tonic Sol-fa translation by H. J. Timothy. - London: Stainer & Bell, [1930] (= Stainer & Bell's collection of arias, duos and chorales, no. 16) [BWV 113/8]
275. Whittaker, William Gillies (ed.):   Four Original Chorales. [Vocal Score.] English texts by A. G. Latham. Arranged and edited by W. G. Whittaker. Tonic Solfa translation by H. J. Timothy. - London: Stainer & Bell, [1930] (= Stainer & Bell's collection of arias, duos and chorales, no. 17) [BWV 439, 443, 453, 462]
276. Whittaker, William Gillies (ed.):   Five Original Chorales. [Vocal Score.] English texts by A. G. Latham. Arranged and edited by W. G. Whittaker. Tonic Solfa translation by H. J. Timothy. - London: Stainer & Bell, [1930] (= Stainer & Bell's collection of arias, duos and chorales, no. 18) [BWV 469, 470, 478, 494]
277. Apel, Willi:   Bachs Kunst der Fuge. DieMusik 22/ 4 (Jan 1930), 267-286.
278. Whittaker, William Gillies (ed.):   Jesu, joy of man's desiring = Iesu, drud ddifyrrwch dynion (Wohl mir, dass ich Jesum habe): from church cantata no.147, 'Herz und Mund und That und Leben' [vocal score] arranged for treble voices in unison and edited by W. Gillies Whittaker. Welsh version by R. Williams Parry and E.T. Davies. - London: Oxford University Press, [1930] 6p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1495) [BWV 147/6]
279. Whittaker, William Gillies (ed.):   Four Chorales from the Schemelli Gesang-Buch. ... Arranged for voice and piano and edited by W. Gillies Whittaker, English texts by Albert C. Latham. London, Oxford University Press, c1930. 8 pp., 26 cm. (The Oxford Choral Songs from the Old Masters, No. 1506)
280. Rummel, Walter (arr.):   STÜRZE ZU BODEN / J. S. BACH = HURL THEM DOWN HEADLONG. = EFFONDRE-TOI, HOMME PLEIN D'ORGUEIL. Adapted by W. RUMMEL. - London: J. & W. Chester, 1930. 6-11p. Pl.-Nr.: J. & W. C. 2184. (= Walter Rummel Adaptations. J. S. Bach. Series 3, No. 4) [BWV 126/4]
281. Rummel, Walter (arr.):   DICH HAB' ICH JE UND JE GELIEBT / J. S. BACH = THEE HAVE I EVER LOVED. = JE T'AI AIMÉ DE TOUTE ÉTERNITÉ. Adapted by WALTER RUMMEL. - London: J. & W. Chester, 1930. 6-11p. Pl.-Nr.: J. & W. C. 2185. (= Walter Rummel Adaptations. J. S. Bach. Series 3, No. 5) [BWV 49/6]
282. Rummel, Walter (arr.):   CHORAL-OUVERTÜRE: O GOTT, DU FROMMER GOTT! / J. S. BACH = O GOD, MERCIFUL GOD. = O DIEU, O JUSTE DIEU. Adapted by W. RUMMEL. - London: J. & W. Chester, 1930. [5]-10p. Pl.-Nr.: J. & W. C. 2186. (= Walter Rummel Adaptations. J. S. Bach. Series 3, No. 6) [BWV 94/1]
283. Rummel, Walter (arr.):   ESURIENTES IMPLEVIT BONIS (MAGNIFICAT) / J. S. BACH Adapted by WALTER RUMMEL. - London: J. & W. Chester, 1930. 3-6p. Pl.-Nr.: J. & W. C. 2187. (= Walter Rummel Adaptations. J. S. Bach, Series 3, No. 7) [BWV 243/9]
284. Petzet, Walter:   Wiedergeburt: Von Bach bis Offenbach. Signale 88/15 (9 Apr 1930), 437-439.
285. Höckner, Hilmar; Höckner, Walter (eds.):   Sonate für Klavier und Violine oder Flöte, Op. 18, Nr. 1, C-Dur / Johann Christian Bach. [Hrsg. von] Hilmar und Walter Höckner. [Partitur, Stimme] - Kopenhagen [u.a.]: Hansen u. Wolfenbüttel [u.a.]: Kallmeyer, c1931. 13p + 1 St. Pl.-Nr. 21832. (= Das Hauskonzert, 4) [W B 16 - Ty 326/3]
286. Upmeyer, Walter (ed.):   Konzert für Cembalo mit 2 Violinen, Viola und Baß in ein- oder mehrfacher Besetzung / Wilh. Friedemann Bach. Hrsg. von Walter Upmeyer. [Erstdr., Partitur (zugl. Cembalostimme), Stimmen, Kadenzen] - Berlin-Lichterfelde: Vieweg, [1931] 39p + 7 St. + 3 Kadenzen. Pl.-Nr. V 1925. (= Musikschätze der Vergangenheit) [Fk 43 - BR WFB C 12]
287. Whittaker, William Gillies (ed.):   Thirty-five Chorale Preludes / J.S. Bach. Book 4. Arranged and edited for Pianoforte by W. Gillies Whittaker in four books with English and German Analytical Notes. - London: Oxford University Press, 1931. xi, 20p. [24. Lobt Gott, ihr Christen allzugleich ; 25. Fughetta super: Nun komm' der Heiden Heiland ; 26. O Lamm Gottes, unschuldig. 2 versus. ; 27. Vater unser im Himmelreich. Prelude I. ; 28. Vater unser im Himmelreich. Prelude II. ; 29. Vom Himmel hoch da komm' ich her ; 30. Wer nur den lieben Gott lasst walten. Prelude I. ; 31. Wer nur den lieben Gott lasst walten. Prelude II. ; 32. Wer nur den lieben Gott lasst walten. Prelude III. ; 33. Fughetta super: Wir glauben all' an einen Gott, Schöpfer. - BWV 732, 699, 656, 683, 683a, 701, 691, 690, Anh.II 79, 681]
288. Whittaker, William Gillies (ed.):   Thirty-five Chorale Preludes / J.S. Bach. Book 2. Arranged and edited for Pianoforte by W. Gillies Whittaker in four books with English and German Analytical Notes. - London: Oxford University Press, 1931. xii, 19p. [8. Christ, unser Herr, zum Jordan kam ; 9. Futhetta super: Christum wir sollen loben schon (or Was fürcht'st du, Feind Herodes, sehr) ; 10. Fughetta super: Dies sind die heil'gen zehn Gebot ; 11. Gelobst sei'st du, Jesu Christ ; 12. Fughetta super: Gelobet sei'st du, Jesu Chris ; 13. Fughetta super: Gottes Sohn ist kommen ; 14. Fughetta super: Herr Christ, der ein'ge Gottes-Sohn ; 15. Fughetta super: In dich hab' ich gehoffet, Herr ; 16. In dulci jubilo; BWV 685, 696, 679, 722, 697, 703, 698, 712, 729]
289. Whittaker, William Gillies (ed.):   Thirty-five Chorale Preludes / J.S. Bach. Book 3. Arranged and edited for Pianoforte by W. Gillies Whittaker in four books with English and German Analytical Notes. - London: Oxford University Press, 1931. xii, 23p. [17. Fantasia sopra: Jesu, meine Freude ; 18. Jesu, meine Zuversicht ; 19. Jesus Christus, unser Heiland, der von uns ; 20. Fuga Super: Jesus Christus, unser Heiland, der von uns ; 21a. Kyrie, Gott Vater in Ewigkeit ; 21b. Christ, aller Welt Trost ; 21c. Kyrie, Gott heiliger Geist ; 22. Liebster Jesu, wir sind hier ; 23. Fughetta super: Lob sei dem allmachtigen Gott - BWV 713, 728, 666, 689, 672, 673, 674, 706, 704]
290. Whittaker, William Gillies (ed.):   Thirty-five Chorale Preludes / J.S. Bach. Book 1. Arranged and edited for Pianoforte by W. Gillies Whittaker in four books with English and German Analytical Notes. - London: Oxford University Press, 1931. xii, 24p. [1. Allein Gott in der Höh' sei Ehr'. Prelude I. ; 2. Allein Gott in der Höh' sei Ehr'. Prelude II. ; 3. Allein Gott in der Höh' sei Ehr'. Prelude III. ; 4. Fughetta super: Allein Gott in der Höh' sei Ehr ; 5. Aus tiefer Noth Schrei' ich zu dir ; 6. Christ lag in Todes Banden ; 7. Fantasia sopra: Christ lag in Todesbanden; BWV 711, 717, 675, 677, 687, 718, 695]
291. Whittaker, William Gillies (ed.):   A short passion: (from St Matthew's Gospel) / Johann Sebastian Bach. [vocal score] arranged and edited by W. Gillies Whittaker; English text by C. Sanford Terry; Welsh text by E. T. Davies and Gwilym Williams. - London: Oxford University Press, [1931]. xxiii, 135p. [BWV 244]
292. Apel, Willi:   Die alte Klaviermusik: eine Übersicht und Wertung vom heutigen Standpunkt. DieMusik 23/ 7 (Apr 1931), 500-509.
293. Eickemeyer, Willy (ed.):   Concerto c moll ; do minore ; für Cembalo (oder Klavier) und Streichorchester von Wilhelm Friedemann Bach Herausgegeben von W. Eickemeyer. Klavier mit unterlegtem 2. Klavier, zugleich Partitur. - Mainz u. Leipzig: B. Schott's Söhne, c1931. 27p. Best.-Nr.: ES2165. Pl.-Nr.: B.S.S.32980.
294. Whittaker, William Gillies:   The 'St. Matthew' Passion. MTimes 72/1060 (Jun 1931), 541. Letters to the Editors [on Frank Howes' article]
295. Parker, W. Wigham:   Bach's Accompaniments. MTimes 72/1062 (Aug 1931), 739. Letters to the Editor.
296. Whittaker, William Gillies (arr.):   Jesu, joy of man's desiring = Iesu, drud ddifyrrwch dynion (Wohl mir, dass ich Jesum habe): from Church Cantata No. 147, Herz und Mund und That unb Leben / J.S. Bach [vocal score] arr. 2-pt female voices by W.G. Whittaker. English by R. Bridges. Welsh version by R. Williams Parry and E.T. Davies. - London: Oxford University Press, c1931. 6p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1518) [BWV 147/6]
297. Whittaker, William Gillies (ed.):   Jesu, joy of man's desiring = Iesu, drud ddifyrrwch dynion (Wohl mir, dass ich Jesum habe): from church cantata no.147, 'Herz und Mund und That und Leben'. [vocal score] arr. for three-part female voices by W. G. Whittaker. - London: Oxford University Press, [c.1931] 8p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1519) [BWV 147/6]
298. Whittaker, William Gillies (ed.):   Murmur not / J. S. Bach. [vocal score] arranged and edited by W.G. Whittaker. - London: Oxford University Press, [c.1931] 8p. (= The Oxford choral songs from the old masters / general editor W.G. Whittaker, no.1527) [BWV 144/2]
299. Whittaker, William Gillies (ed.):   'Murmur not, O my Soul': Alto Aria from Church Cantata No. 144 'Take what thine is and go thy way' / J. S. Bach. Arranged and edited by W. G. Whittaker. - London: Oxford University Press, 1931. (= The Oxford Series of Bach Arias, No. 30) [BWV 144/2]
300. Graeser, Wolfgang (ed.):   Die Kunst der Fuge 1750 / Johann Sebastian Bach. In Neuordnung und Instrumentation von Wolfgang Graeser. Auff.-Mat. leihw., Preis nach Vereinbar. - Leipzig: Breitkopf & Härtel, [1932]. [BWV 1080]
301. Whittaker, William Gillies; Wiseman, Herbert; Wishart, J. (eds.):   The Clarendon classical song books. Volume IIA. [Piano edition] Edited by W. Gillies Whittaker, Herbert Wiseman and J. Wishart. - London: Oxford University Press, [c.1932] 62p. [The melodies and accompaniments to ten songs by Bach, T.A. Arne, Schubert, Schumann, Whittaker, Brook, Taylor Maynard Grover; together with ten folksongs arranged by the editors, a folksong arranged by Brahms, and four unaccompanied traditional rounds]
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